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Rilasciare Painting

Michele Utley Voigt

United States

Painting, Oil on Canvas

Size: 30 W x 40 H x 3 D in

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$4,210

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About The Artwork

Oil on Linen Finished Edges Wired to Hang Rilasciare Rilasciare requires the release of all captivity. Captivity of the trafficked, the mentally ill, and the enslaved. In today’s modern society, thirty million people worldwide are considered slaves and three hundred million people suffer from depression. More women than men. Rilasciare’s composition contains five female figures from supine to erect fragmenting one another in a mutation of bodies, minds, energy and time. The figures progress from the bottom of the composition to the top depicting their climb to freedom. Thirty hands of various degrees of visibility outreach and rise representational of wings to flight. Rilasciare offers a vision of the beauty of the release. Every year approximately six to eight hundred thousand women and children are trafficked across international borders. Trafficking primarily involves exploitation which comes in many forms, including: forcing victims into prostitution, subjecting victims to slavery or involuntary servitude and compelling victims to commit sex acts for the purpose of creating pornography. According to some estimates, approximately eighty-percent of trafficking involves sexual exploitation, and nineteen-percent involves labor exploitation. Globally, the average cost of a slave is under one hundred US dollars. Depression is the leading cause of disability worldwide. Every year close to eight hundred thousand people die due to suicide.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 40 H x 3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I paint stories of the human experience. The soul of life is demonstrated in depictions of figures interacting within a realm of time, realities, and one another. I paint that that is seen and unseen. I depict the beauty that often exists after a tragedy. I express the plane of existence pictorially divided, fragmented, as the energy and emotion around each being and happening. Often this movement is abstract, and often it is literal. I create images from inside myself. I carry them and grow them within me until I paint. Most of my paintings are of women and their realities as they relate to the greater human experience. Since my early life, I have worked in oils and prefer my expressions to be shared in their radiance applied using master techniques. The cause for which I create is my acute foresight and sense of the interconnectedness of all elements and time. What is seen and not seen. Known and not known. Contemporaneous, interacting, and incessantly influencing one another in a continuum of the past, present, and future. The entirety exists concurrently. I render the human relationship with eternity. I convey the human experience; acts, thoughts, sentiments, and situations layered upon all those of the past. Giving that human existence as we experience it is bound to the continuum of time. My vision is the complex language of layering multiple imagery levels representing the complicated content of a consequence, condition, moment, notion, or incident. The dialogue I consign contains all elements past and present, their atmosphere, and the energy collectively interacting. My work foreshadows the continuum of the condition. I paint to deliver a vision that others have not seen.

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