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Davis Lisboa, "Robert Filliou #6 (Paintings), 2017, oil on canvas, 30 x 30 x 3,5 cm
Davis Lisboa, "Robert Filliou #6 (Paintings), 2017, oil on canvas, 30 x 30 x 3,5 cm
Davis Lisboa, "Robert Filliou #6 (Paintings), 2017, oil on canvas, 30 x 30 x 3,5 cm
ON A WALL VIEW: Davis Lisboa, "Robert Filliou #6 (Paintings), 2017, oil on canvas, 30 x 30 x 3,5 cm
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Robert Filliou #6 Painting

Davis Lisboa

Spain

Painting, Oil on Canvas

Size: 11.8 W x 11.8 H x 1.6 D in

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About The Artwork

THE PAINTINGS SECTION FROM DAVIS MUSEUM The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona Davis Lisboa, "Robert Filliou #6", 2017, oil on canvas, 11,8 x 11,8 x 1.57 in (30 x 30 x 4 cm) ———————————————————— What inspired the work? The paintings of the German artist Gerhard Richter in which he appropriated photographs of magazines and books, turning into faded contemporary paintings. What do you expect your viewers to feel/think? I hope the viewer understand this painting is a kind of Robert Filliou's imaginary anti-portrait. Filliou was a French artist who make part of the Fluxus movement in the 60s's. Filliou was the creator of the "Le galerie légitime" (The legitimate gallery) in 1964. This artwork is a kind of "imaginary commercial art gallery", founded in a brain of anyone and marked by a hat. My idea was create a series of Filliou's portraits that connect with the narrative of "the artists who create their own exhibition spaces". I really like this painting because it is an impossible Filliou's portrait, the point of view is totally wrong and you do not see his face, but his neck. This makes the painting mysterious. Why did you choose the medium, the theme, the style? I love oil painting. It is a very special technique in which the artist takes a long time to obtain good results. I started "The Paintings Section From Davis Museum" around 2011 and I still learning. Oil paintings can be kept in very good condition over time: they can withstand centuries. I only use the best materials for my paintings: linen canvas and Old Holland oil paintings. How will your artwork be packed for a movement? Artwork will be guaranteed to be shipped in accordance with high security standards, so that your shipment is as safe as possible while traveling from the artist's studio to your museum, gallery, hotel, business or home. For this, your oil paintings on canvas will be sent unrolled, stretched out on a wooden frame, flat, without frames and any special assembly. The packaging of wrapped canvases consists of: · An acid-free archival quality glassine paper cover · Two sheets of Foam boards · A sealed heavy plastic bag (to protect against moisture) · Two layers of bubble wrap and secure with tape · Cardboard protectors to each corner of the oil painting · Two other larger sheets of Foam boards · A sturdy cardboard box marked as "Fragile" Davis Museum Paintings Section in Private Collections Alejandro Vásquez Herrero Collection, Viladecans, Spain. Daniel Marcoux Collection, Montreal, Canada. Francisco Torres Collection, Barcelona, ​​Spain. Geert De Kegel Collection, Zele, Belgium. Soter Argyrou Collection, Nicosia, Cyprus. The Yellowstone Club Collection, Big Sky, Montana, USA.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:11.8 W x 11.8 H x 1.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Davis Lisboa (1965, São Paulo, Brazil), living and working in Barcelona, Spain. I'm a multifaceted illustrator and painter who, through my work, try to erase the boundaries between graphic arts and fine arts, high and low culture, art and the market, crafts and technology. In 2009 I created the Davis Museum | Davis Lisboa Mini-Museum of Contemporary Art in Barcelona. I have studied Desenho de Comunicação at the ETE Carlos de Campos and Painting at the Centre d'Art i Disseny Escola Massana and at the Facultat de Belles Arts de la Universitat de Barcelona. Since 1982 I've been working as a storyboard artist creating storyboards for various advertising agencies in Brazil, Spain, Russia, England or the United States. In 1987 I moved to Barcelona, where I worked as a graphic illustrator in a design studio and two years later, I opened my own illustration and painting studio. In 2005 I began to hold exhibitions as an artistic, figurative and contemporary painter at art galleries, cultural centers and art museums, and in 2009, I created the Davis Museum | The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona, a cultural entity recognized by the Generalitat de Catalunya, now, expanding my activity towards cultural management. I have participated in several exhibitions, including Museum Show at Arnolfini, Bristol, England; Eleven: The John Erickson Museum of Art (JEMA) 10 Year Retrospective at The Harn Museum of Art, Gainesville, USA and at the Galería Bob Rauschenberg, Fort Myers, USA; Remix - 10 years in the mix at the en la Spor Klübü, Berlin, Germany; Small, Unusual and Specialist Museums Survey at the CRATE Studio and Project Space, Margate, England; Incubarte at Centro del Carmen, Valencia, Spain; FluxFest 2019, Pride Mail Project and Big Ideas in Small Art at The Rose Shelton Gallery, Toronto, Canada; Aquí y Ahora 6 - Power, corruption & lies at the Galería Blanca Soto, Madrid, Spain; VI Biennale Internazionale dell'Arte Contemporanea di Firenze, Italy; Holland Art Fair, The Hague; La Secció de les Pintures del Davis Museum, at the Casa del LLibre, Barcelona, Spain; NeoLatinísiiimo Art Biennial at the City Lights Gallery, Bridgeport, Connecticut, USA; Mirades des del confinament, con Joan Fontcuberta, Festival Cruïlla, Òmnium Cultural, Igualada, España, among others.

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