Robin's dream Painting

''In Robin's Dream the author tells us about the impression, about the distance that the discretion implies for the appearance, for bringing to the sight, for the impression to sit on a surface and further to make visible a presence, a revelatory that transforms under the power of amplification that sharpens the visibility of the subject, a subject that becomes more and more present and that makes its presence slowly and surely felt. We are also offered the subtle dismantling of the image into graphic elements that could be expressed independently if the gaze can, if it wants and if it accepts these challenges. It is the way chosen by the author by which the subject dissipates so that its echoes can propagate, and later recompose themselves in the colors that encourage and load every detail, a detail that until then remained isolated in the discrete register of vision. This helps each element and sits in a discrete composition with small elements of force and the power to impose an integrative imaging dialogue.''