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This is a synthesized and more stylized version from the "string re attached" polygons. This artwork belongs to the series nodes, which it characterized by the construction of polygons using deconstructed geometric figures and fine lines intercepted among each other.

Solo exhibition held in November 2017.

"This artwork does not need frame and is ready to hang".

GUEST CURATOR CONCLUSIONS ABOUT NODOS SERIES.

In Nodes, Jaime Domínguez, paradoxically deploys a
hyperdimensional project, through painting, a traditionally two-dimensional medium. The polygons that first show represent the limiting contour, the boundary to another field of
color, are also the window, or the shadow, of these hyperdimensional figures, which charge volume from the color, the frames and lines that cross them, announcing a complexity of a greater space. Before the spectator, what starts being a flat space, with an attentive look, begins to unfold many dimensions, projecting various
conceptual depths, as well as physical.

The monochromatic and flat backgrounds in the paintings, place the observer in an abstract geometric plane, alien to material reality, but full of formal and dimentional possibilities. The paradox also intensifies, while the painting is full
of smooth colors and straight lines, in some cases almost technical, and that nevertheless, make up
a spatial and formal ambiguity. What would seem almost technical from the side of the eye, is
Inaprensible, a detailed look, reveals that the figures and the light, exist only instantaneously, only to give that presence to another stage of the same work.

Eventually these figures escape the plane of the painting and become pieces to the interior of the room, where the spatial limitations are compensated, by the movement, but above all for the operations and visual games that are possible,
blurring the boundaries between the immediate and the distant.

Guillermo Lope
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STRINGS ATTACHED III
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STRINGS ATTACHED III Painting

Jaime Domínguez

Mexico

Painting

Size: 23.6 W x 35.4 H x 1.6 D in

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About The Artwork

This is a synthesized and more stylized version from the "string re attached" polygons. This artwork belongs to the series nodes, which it characterized by the construction of polygons using deconstructed geometric figures and fine lines intercepted among each other. Solo exhibition held in November 2017. "This artwork does not need frame and is ready to hang". GUEST CURATOR CONCLUSIONS ABOUT NODOS SERIES. In Nodes, Jaime Domínguez, paradoxically deploys a hyperdimensional project, through painting, a traditionally two-dimensional medium. The polygons that first show represent the limiting contour, the boundary to another field of color, are also the window, or the shadow, of these hyperdimensional figures, which charge volume from the color, the frames and lines that cross them, announcing a complexity of a greater space. Before the spectator, what starts being a flat space, with an attentive look, begins to unfold many dimensions, projecting various conceptual depths, as well as physical. The monochromatic and flat backgrounds in the paintings, place the observer in an abstract geometric plane, alien to material reality, but full of formal and dimentional possibilities. The paradox also intensifies, while the painting is full of smooth colors and straight lines, in some cases almost technical, and that nevertheless, make up a spatial and formal ambiguity. What would seem almost technical from the side of the eye, is Inaprensible, a detailed look, reveals that the figures and the light, exist only instantaneously, only to give that presence to another stage of the same work. Eventually these figures escape the plane of the painting and become pieces to the interior of the room, where the spatial limitations are compensated, by the movement, but above all for the operations and visual games that are possible, blurring the boundaries between the immediate and the distant. Guillermo Lope

Details & Dimensions

Painting:Airbrush on Wood

Original:One-of-a-kind Artwork

Size:23.6 W x 35.4 H x 1.6 D in

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I am an abstract artist with a passion for minimalism and expressionism and it is through my work that I express what I cannot say in words. If I had the ability and eloquence to express its meaning, possibly I would not be a plastic artist but a writer of science fiction novels, although what I can say is everything that inspires and drives me to create what I do, I am passionate about geometry, structural engineering, modern architecture, functionalism, brutalism and deconstructivism, modernist furniture, textile, automotive, aeronautics and nautical design. Since I was a child I have had contact with popular arts, mainly "indigenous art", its simple designs but full of spiritual symbolism and its colors transport me to intangible places where my imagination unleashes. My work is the result of all this, perhaps for that reason I consider that it has a deep decorative vocation, however behind it there is an exhaustive research work through which I satisfy my intellectual need to justify it and support my ideas, although at the end what matters the least to me is whether the viewer understands it or can explain it academically, on the contrary, what matters most to me is how it impacts their senses and emotions.

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