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According to the traditional story, Lucy was born of rich and noble parents about the year 283. At least until the 15th century, is the story of Lucia tortured by eye-gouging. According to later accounts, before she died she foretold the punishment of Paschasius and the speedy end of the persecution, adding that Diocletian would reign no more, and Maximian would meet his end. This so angered Paschasius that he ordered the guards to remove her eyes. Another version has Lucy taking her own eyes out in order to discourage a persistent suitor who admired them. When her body was prepared for burial in the family mausoleum it was discovered that her eyes had been miraculously restored.

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Santa Lucia Painting

Emila Sirakova

Italy

Painting, Acrylic on Paper

Size: 39.4 W x 27.6 H x 1.8 D in

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$2,020

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ABOUT THE ARTWORK

According to the traditional story, Lucy was born of rich and noble parents about the year 283. At least until the 15th century, is the story of Lucia tortured by eye-gouging. According to later accounts, before she died she foretold the punishment of Paschasius and the speedy end of the persecution, adding that Diocletian would reign no more, and Maximian would meet his end. This so angered Paschasius that he ordered the guards to remove her eyes. Another version has Lucy taking her own eyes out in order to discourage a persistent suitor who admired them. When her body was prepared for burial in the family mausoleum it was discovered that her eyes had been miraculously restored.

DETAILS AND DIMENSIONS
Multi-paneled Painting:

Acrylic on Paper

Original:

One-of-a-kind Artwork

Size:

39.4 W x 27.6 H x 1.8 D in

Number of Panels:

2

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Emila Sirakova was born in 1984 in Bulgaria and lives in Italy since 1994. She begin to drawing at 5 years old and from this point never stops. Through painting and performances, Emila faces and deepen the experience of the human body, as a projection of the being, vision of self and her own emotions. All the characters try to have an external look on themselves among so tense and twirled positions that could be turned into draconian emotions: all those moments when, crouched down, we think, overthink, try to forget or dream. In all those moments we just go numb: we loose contact with flash and bones and we try to touch that part of ourselves made of spirit, traces and gestures. Emila uses several layers of papers and strokes, blending them together as a stream of consciousness or memories. Not always clear, often nostalgic and dim, pale images and maniacally detailed particulars live together. Emila mostly depicts feminine figures, the subconscious, the primordial feminine origin, using them to spread all her dreams and projections. Sometimes pleasant, sometimes provocative or dark. In her last works, Emila develops the theme of drawing on draws: tattoos. Seen as a tale, a moment, like thoughts busting out from flash, with constant homage to famous artists and paintings which made art history. Another level of tale is the canvas: ancient used papers gathered from second hand markets. A sort of tale into the tale which shows us a world full of thoughts and dreamlike projections, brought back to us with vivid colors tied to the tattoo tradition’s inks, as the blue, red and black for bigger paintings.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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