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Сaravel Elabuga Painting

Victor Molev

Painting, Acrylic on Canvas

Size: 24 W x 24 H x 0.5 D in

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ABOUT THE ARTWORK

Victor Molev (Canada)"Сaravel "Elabuga" 2015 18"x24" Oil on canvas Portrait of Marina Tsvetaeva Canadian artist Victor Molev shows with this work that aesthetics can also be found in the dark pages of history. This painting depicts a meeting after the death in 1941 of the Russian poetess Marina Tsvetaeva and her husband, Sergei Efron. After the 1917 coup the couple were in exile. In the thirties Efron actively cooperated with the OGPU (Soviet special service. Later the KGB.) And before the Second World War they returned to the USSR. Sergei Efron was shot in the cellars of the KGB in 1941 on charges of espionage. Marina Tsvetaeva was evacuated to the town of Elabuga and in 1941 she hanged herself there from lack of demand, loneliness and hopelessness. At a distance this composition of two figures and caravel turns into a portrait of Marina Tsvetaeva.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

24 W x 24 H x 0.5 D in

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Victor Molev is a Canadian artist of Russian descent, working in the styles of Decorative Realism, Fantasy, Symbolism and Surrealism. Molev was born in the year 1955 in Gorky (present day Nizhny Novgorod), Russia. From an early age, he has shown interest in the visual arts and dedicated his time to creativity. As the artist himself jokes, his love for art derived from the fact that his grandmother was kissed by Marc Chagall in her childhood. She was his younger sister’s classmate, and often visited the Chagall household. In paintings from his childhood and early youth, Molev showed an inclination towards unconventional compositions that were free of the Soviet canons of “Socialist Realism”. In the mid-1970s, as an aspiring young artist, he took drawing and painting lessons under the apprenticeship of Moscow sculptor Tatyana Vishnyakova. It wasn’t until his early twenties that Molev became familiar with the works of Salvador Dali, Max Ernst, Rene Magritte, M.C. Escher and Frank Frazetta through books and magazines. Molev was incredibly inspired by these artists which became like mentors to him. After receiving an education in architecture, the artist worked in the field for ten years. He then worked as a set designer at the Pushkin Opera and Ballet Theatre. Both of these jobs are still reflected in the creative processes of the artist. Throughout the 1980’s, Molev was a part of many group and individual exhibitions in Houses of Culture, movie theatre foyers, research institutes, and the exhibition halls of the Association of Russian Artists. He also exhibited alongside the Gorky Union of Young Artists, of which he had been a part of since its formation. During the final years of the Soviet Union, Molev worked as a graphic illustrator for the magazine “Samizdat”. In December of 1990, Molev immigrated to Israel. The next year he became a member of the Israel Painters and Sculptors Association. He would regularly exhibit his work in galleries, exhibition halls, and community centres. The artist was constantly a part of the Nachalat Binyamin Market in Tel Aviv, as well as many other art festivals. In collaboration with the writer G.Kostovetski under the pseudonym “KOMO”, he participated in numerous international competitions of humorous drawing, which is marked by his diplomas as well as silver and bronze medals. From 2003 until 2006, the artist owned his own gallery in the city of Haifa.

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