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What happens after the visual impression? Can you relay on your memories? If 

not, is at least the impact left?
Ten paintings with the same composition and different vibrant colours. Each pice 

makes a great effect on your visual perception. In due time makes you loose the 

ground. The works are the visual memories of the previous one, but after 

watching all of them, your memories are mixed up, and unable to recall them 

separated.
So again: Can we relay on what we see?
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Series 3/10 '17
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Series 3/10 '17 Painting

Villő Horváth

Hungary

Painting

Size: 70.9 W x 78.7 H x 2 D in

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About The Artwork

What happens after the visual impression? Can you relay on your memories? If not, is at least the impact left? Ten paintings with the same composition and different vibrant colours. Each pice makes a great effect on your visual perception. In due time makes you loose the ground. The works are the visual memories of the previous one, but after watching all of them, your memories are mixed up, and unable to recall them separated. So again: Can we relay on what we see?

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:70.9 W x 78.7 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

https://www.villohorvath.com/ The evolution of technology creates many new influences for our eyes. With the constant increase of monitors we are exposed to unnatural effects on a daily basis. When looking sideways after watching a monitor there will always be a strong after-image, if we photograph a computer’s monitor with a mobile phone then there will be an interference between pixels. My works are inspired by these sensual deceptions which we are accustomed to by today. The inner workings of our world build upon constant change. Natural sciences and psychology alike study the correlation between action and reaction. The basic flow of the human life's phenomena is no different. My works are an analogy to this constant change by playing with retinal perception and sensation. They test the impeccability of stored memories and broaden the momentary sight with after-images. Our movement in accordance with the picture’s surface changes what we see and perceive of the picture. The works start to live as soon as they establish a connection to the viewer - in the “now” - and their integrity ends when the contact between viewer and picture ceases to be.

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