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View In My Room
Painting, Acrylic on Paper
Size: 29.9 W x 22 H x 0.1 D in
Ships in a Crate
992 Views
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Artist featured in a collection
The photograph of Sid Vicious and Nancy Spungen in this piece was taken in 1978 at the end of filming of an interview for a documentary on the punk scene. Within weeks, Nancy Spungen was dead – stabbed in the bathroom of a New York hotel, and Sid Vicious jailed for her murder. Weeks later he, too, would be dead from an overdose of heroin. The photograph first appeared in a Rolling Stone magazine news story about the murder dated 30th November 1978, and has been in the artist’s personal collection – unseen and unpublished – ever since. Mixed media screen print and acrylic on Somerset Satin 300g/m2 archival paper 56x76cm.
Acrylic on Paper
One-of-a-kind Artwork
29.9 W x 22 H x 0.1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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United Kingdom
At the age of four, so I am told, I discovered my parents' collection of Charles Addam's hardbound cartoon books - the chronicles of his work for The New Yorker magazine, and starting point for the later television series and motion pictures "˜The Addams Family.' I read these books over and over and eventually became quite a bore on the subject of Gomez and Morticia and Wednesday and Pugsley, all by the age of six. The imagery and tone, dark and sarcastic, morbid yet socially aware, has had for good or ill an abiding and fundamental impact on my view of life...I am a fencer, though I do not tango...and my work as an artist. It is my lens. Photography forms the foundation of my work. I love the act of "˜finding the shot', which led me into a 20+ year career in film and television. I was very fortunate to have had the opportunity to study at university under Roman Polanski and Lindsay Anderson, among others, learning the tricks and brilliant insights of their craft. This, of course, forced upon me the importance of not only the image, but of the story and the telling of it. As a writer as well as an artist, I revere the visual storytelling of Bulgakov and read "˜The Master and Margarita' once a year. And this is how my work manifests itself: the photograph as the basis for the story, which is elevated and taken to a new reality with the addition of mixed media. A significant part of my work is in black and white, with colour added to enhance or complete the story. My most significant project to date "˜Re-union' has the subtext of the comment made to me by the significant player in the piece, "Until the war, everything was black and white, there was no colour anywhere, everything was drab." This eight piece series documents the bombing of Dresden in April 1945 in 6ft x 8ft images of actual bomb-sight photographs painted by the artist. I find great joy in taking strong photographic images and releasing them into new environments through screen printing and transfer prints, as well as using the selected addition of tint or colour to convey the essence of the work. In July 2011, one of my screen print series of Sid Vicious and Nancy Spungeon was selected for the Central St Martins MA Fine Art Auction, and sold alongside works by Antony Gormley, Raqib Shaw and Mona Hatoum. All of my work is personal.
Artist featured by Saatchi Art in a collection
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