VIEW IN MY ROOM
Canada
Painting, Oil on Wood
Size: 78.8 W x 40 H x 0 D in
Ships in a Crate
Artist Recognition
Featured in Inside The Studio
Showed at the The Other Art Fair
Artist featured in a collection
This work is reminiscent of Munch’s ‘The Scream’, without the screamer. ‘The Scream’ is the popular name given to a composition created by Norwegian Expressionist artist Edvard Munch in 1893. The original German title given by Munch to his work was ‘Der Schrei der Natur’ (The Scream of Nature), and the Norwegian title is Skrik (Shriek). The agonised face in Munch’s painting has become one of the most iconic images of art, seen as symbolising the anxiety of the human condition. Brings to notion the idea ... ‘If there is a shriek in nature, are we even listening?’ This painting is also sized to reflect the current landcape that we live in ... it is 78.75 inches (or 2 metres) ... the standard in Covid-19 Social Distance Etiquette. It reflects the now accepted social distance we must keep from each other.
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:78.8 W x 40 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
Danie Wood was born in London, England in 1965 and now lives on Vancouver Island, in British Columbia, Canada. A creative director by trade, she was schooled at York University where she received a BFA with Honours. My paintings dialogue between place and being which reflects a basic need to understand the world in which we live. I am interested in investigating human experience and the states of flux, change and transformation using landscape as a metaphor. The questions, ‘Who are you? What are you doing here? and Where are you going?’ are key to my personal patois. (‘D’où Venons Nous / Que Sommes Nous / Où Allons Nous’ - Paul Gauguin, 1897.) I paint about loss and transformational change - the experience of personal loss as well as the physical change in the action/process of painting. Displaced, by moving between continents as a child, I have spent much time contemplating “Where do I belong?”. My painting is inspired by Casper David Friedrich’s ‘Monk by the Sea’ and the transcendental paintings of Mark Rothko and Anselm Kiefer. The elements of water, wind, earth and fire are always at the root of my personal patois. The landscapes of language, jargon, graffiti and social change also intrigue me. I have been painting a series called ‘City on Fire’ where I imagine myself as a spectator from afar watching the urban centres burn as a result of self-absorption, over consumption and environmental change. Graffiti-like marks can also be found in my work ... Graffiti, the ‘language’ of the collective unconscious, marks ownership, belonging and place. I have been recently influenced by contemporary, Chinese painter, Lianghong Feng who adapts Chinese philosophy, calligraphy, Eastern and Western art history, and urban graffiti into his painting.
Featured in Saatchi Art's curated series, Inside The Studio
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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