"So long since I have seen the sun 02" Painting
Painting, Acrylic on Canvas
39 W x 32 H in
Ships in a Box
This work will ship flat in a sturdy, well-protected cardboard box. Read More
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$2,200
Artist Recognition
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Large Painting - 80 x 100cm - "So long (since I´ve seen the sun)02" Each painting comes with a Certificate of Authenticity, and is hand painted by me (Anne Angelshaug) I use the finest acrylics on high-quality canvas. The canvas wraps around to the back with no visible staples. The painting is sig...
Year Created:
2010
Subject:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
39 W x 32 H x 1.9 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Norway.
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About the Artist
Anne Irene Angelshaug
Anne Angelshaug an artist from Norway, creates beautiful surreal paintings that evoke a delicate sadness
when viewed.
Through the juzatopositon of humans and nature in dreamlike landscapes, Angelshaug’s artwork
is exploring many themes dealing with the destructive nature of humans.
Born in Oslo, she grew up in a small village at the west coast of Norway with teachers for parents and two
older brothers.
She studied illustration in England at Falmouth University, where she met her future husband, Julian Mills.
Her paintings has been exhibited around Norway, Europe and The United States.
“Again and again, we make bad choices with horrendous consequences for this beautiful planet and this
saddens me more than I can say. There is a lot of this in my work.
Norway is one of the lucky countries where the destruction is not very visible yet.
The nature is still incredibly beautiful and mighty impressive.
This inspires me immensely and plays a huge part in my work.
The actual look of my work has a lot to do with my background as an illustrator. Since the subject matter
that I want to explore and communicate is so dark and melancholic, I like to juxtapose this with a beautiful
fairytale-like look to the image. I want to “draw” the onlooker in and then let them discover that everything
is not as it should be in this “beautiful” place. I love the uneasy pairing of innocence/cute and ominousness.”
Recognition:
Artist featured in a collection
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