Soft structure Painting

In 2006 I became admitted to the Faculty of Painting of the Hungarian University of Fine Arts. My masters were Árpád Szabados (2006-2010), Péter Kiss (2006-2011) and Imre Bukta (2010/11). (During the years I took part in the annual exhibitions of the students of the University. I also took part in several competition exhibitions in hall 'Barcsay' of the University.) In 2010 I gained erasmus scholarship which I spent in Valencia, Spain (Universidad Politéchnica Facultad de Bellas Artes). Aside from analogue photography here I attended 'constructions of metal' sculpture course where I learnt how to weld and acquired the love of metal as a material as well as the urge of creating spatial objects and phenomena. At the end of the semester I took part in a group exhibition with groupmates of the course in the campus of the university. Having returned I graduated in 2011. In the first years of the university I was devoted to actually learn painting, that is, to acquire the 'knowledge' and master-strokes of traditional (realistic) painting and drawing. Meanwhile I realized that the concept, philosophy and personal intrinsic motivation for me is much more important and essential than the mere formalism of a certain artwork. From this time on this elemental intention started to determine the form, and began to find each time the most suitable medium for itself to cristallyze. Instead of rigid formal characteristics I rather define myself in a philosophical-sensual way which means I take the risk of my work being outwardly heterogenous, variable and diverse as my own experiences, intentions, desires and impressions are changing by time. I have a substantial ontological way of thinking. Being conscious about the absurd, unchangeable and inexorable fact that our life is determined to death we are desperately trying to find the reason and the essence of life. Unreasonable art is one of our arms against death and entropy. Consequently, because of my personal outlook on life, my works can be essentially associated with mortality, death, grief or passing, faded memories and moods, the progress of unsymphatetic time that we can feel in our bones. My affection to dramatic feelings and moments, taut situations and infernal edges of life sometimes drifts my works to risky and grave, delicate fields.