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This work is part of a series on the impermanence of time and mortality. Time leaves more or less precise traces in our memory. The work of the material tries through a game of transparency with overlay of paint and transparent papers to translate what is no longer reality but simple memory.
FRAMED WORK: This is an acrylic on very thick paper, just like an acrylic on canvas, it does not need to be protected by a glass and is therefore framed in an American box.
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--SOLD-- Disappearance II Painting

Cécile Duchêne Malissin

France

Painting, Acrylic on Paper

Size: 15 W x 22 H x 0 D in

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SOLD
Originally listed for $800
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231 Views
81

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About The Artwork

This work is part of a series on the impermanence of time and mortality. Time leaves more or less precise traces in our memory. The work of the material tries through a game of transparency with overlay of paint and transparent papers to translate what is no longer reality but simple memory. FRAMED WORK: This is an acrylic on very thick paper, just like an acrylic on canvas, it does not need to be protected by a glass and is therefore framed in an American box.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:15 W x 22 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

She is a french artist, born in Paris (France). She currently lives and works in Montargis, near Paris. Both realistic and dreamlike, Cécile Duchêne Malissin’s painting implies some introspection. Characters or animals are shown in abstract settings or lush vegetation. Her works exude a powerful attraction and conveys reverie. They are bushy, free, imaginative compositions and a poetic and singular universe. Her portraits express a meditative abandonment and the richness of an inner life. Childhood, is also tackled and evokes the loss of innocence as well as facing the brutality of the world. The viewer is caught by the serious and mysterious gaze of her characters: who observes who, in this disturbing face-to-face? Relations to nature, to oneself and to others are questioned here. Working on paper or canvas, mixing different techniques (acrylic paint, oil pastels, graphite lead, collage and sometimes sewing...), the works thus created carry in them both a delicacy but also a certain strangeness. The relationship to the body and its fragility are evoked by transparencies which is conferred by a subtle game of collages mixed with acrylic. Memory, forgetfulness, transience of existence are suggested.

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