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Soliloquy iv Painting

Andrea Coltman

United Kingdom

Painting, Oil on Other

Size: 29.9 W x 20.1 H x 1.2 D in

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About The Artwork

What lies beneath? How does anyone really know what another person is thinking? I have employed the idea of soliloquy* as the starting point for this series of paintings. Each painting deals with the concept of portraiture in juxtaposition with my perception of an individual’s inner spirituality. These paintings form a narrative between the artist, the subject and ultimately and more pertinently the viewer. I have looked at emotions, expressions, personalities coexisting within the context of spirits, auras and chakras of a person. I have looked to combine these elements into spontaneous imagery with both observational brushstrokes for the portraits and abstraction surrounding the subject. I utilized subtleties in the colour intensities contained in each of the works. The intent is to reflect a visual dialogue. I have always been an admirer of the Dutch Masters such as Rembrandt, and for the first time used their glazing techniques for these pieces. I have employed an interest in the works of artists such as Edvard Munch, Gerhard Richter, Jasper Johns and Howard Hodgkin. I have also looked at artists whose practices have been informed by the Far Eastern culture such as John Cage and Antony Gormley. Collectively these artists have been a starting point for this body of work. *Soliloquy [sa lilakwee] - talking when alone often in the context of an actor within a play when the character’s allowed to impart their inner thoughts and ideas to the audience.

Details & Dimensions

Painting:Oil on Other

Original:One-of-a-kind Artwork

Size:29.9 W x 20.1 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

“I don't know how to love a place...” Andrea Coltman Andrea has always felt displaced. Belonging nowhere she is a nomadic observer drawn to capturing snapshots of transitional locations through painting. Absorbed with the notion of places and spaces of transition Coltman has considered the viewable environment and how that relates to Modernism, Geometry, Edges of Portraiture, Architecture, Minimalism and Abstract Expressionism. Her works question places of constant transformation drawing on her own movements, and journeys that intersect with passageways. There are connections yet there is disconnect revealing a state of flux, the crossing of physical and metaphorical boundaries, discovering places of transformation whilst moving between material, physical and emotional states. Pigments are applied, re-imagined situations and objects are then interrupted and often decontextualized by the addition of minimal bright colours combining figuration and abstraction. Andrea responds to the passer-by, the environment, linear forms including those from construction sites, factual newspaper headlines, re-imagined captions, as well as images from the tabloids. Editing, re-editing, duplicating, interpreting, and re-interpreting the literal context is part of Andrea’s process. Repetition is thematic alluding to the cyclical nature of her daily life. Precision is implied, imperfections arise, and unexpected narratives unravel with dystopian overtones. Andrea reflects psychologically to the everyday overlooked instant or object. She is drawn to the ephemeral, the split second, a passage through a place or environment. Coltman is a rootless wonderer, a 21st Century Flâneuse. Andrea is a London and Kent based artist.

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