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Solitary arch, ancient Roman aqueduct - Yellow Paintings series, 2001 Painting

Alessandro Nesci

Italy

Painting, Oil on Canvas

Size: 19.7 W x 27.6 H x 0.8 D in

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$1,750

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ABOUT THE ARTWORK

Solitary arch, ancient Roman aqueduct - Yellow Paintings series, 2001 This series of paintings was painted in 2001, on canvas with primer prepared and placed on the backframe from me. I can ship this work in a tube, please request before purchase. Inspired by the power of History and Nature of the Roman countryside. I hope you can feel it, inspiring you, how did these places to Goethe and all travelers in the 1700-1800 or the people who lived here, to the times of Roman civilization. I feel I’m happily inspired now on Classical soil: The Past and Present speak louder, more charmingly. Here, as advised, I leaf through the works of the Ancients With busy hands, and, each day, with fresh delight. But at night Love keeps me busy another way: I become half a scholar but twice as contented. And am I not learning, studying the shape Of her lovely breasts: her hips guiding my hand? Then I know marble more: thinking, comparing, See with a feeling eye: feel with a seeing hand. If my darling is stealing the day’s hours from me, She gives me hours of night in compensation. We’re not always kissing: we often talk sense: When she’s asleep, I lie there filled with thought. Often I’ve even made poetry there in her arms, Counted hexameters gently there on my fingers Over her body. She breathes in sweetest sleep, And her breath burns down to my deepest heart. Amor trims the lamp then and thinks of the times When he did the same for his three poets of love. J. W. von Goethe My artistic research studies often to Greek and Roman statuary or the landscape of the Roman Campagna. In painting I am not only to discover the Natural Landscapes, because the Roman countryside is also History (the mythical places of ancient Rome), Architecture (Roman aqueducts, Roman villas, ruins, towers and medieval houses ...). In search of color over the years, the color mixtures are gradually cleared, the brush stroke becomes thinner and thinner, more and more forms just mentioned, almost as if the memory and the dream of landscapes of the Roman Campagna as flush on the boards that I use as a support. If you buy original or print please contact me by email: I'll happy to know you. To requests, information or more details please contact me by email or visit my website

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

19.7 W x 27.6 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

A hard personal experience superimposed on the covid period, which changed my life forever, gave me reason to appreciate even more the strength of color, line and expression. "The Whole goes beyond Form". I enjoy expressing myself with different techniques: painting, drawing, photography. I can imagine that initially the collector or the beholder of my works can be a little crowded out or confused. The hallmark of my work is not found in the repetition of the same technique, again and again, but in some features of the technique itself and. The sign, the theme, the subject... are the way you can recognize my "signature." Living in Italy, every day I live together archeology, painting, architecture and Roman statuary, the Renaissance, the Baroque and all the other great styles, artistic periods and collections that are here, in Rome and in Italy. This is in my history, in my roots. In the history and roots of Western art. I have always felt a fascination for drawing since I was a child. I was fascinated by the idea of translating fantasy stories or even the first knowledge I got in school in images. I remember my notebooks: they were full of stories with drawings and illustrations of what I was learning at school. This is the way I learned new techniques and I improved my abilities: pencil, charcoal, pen, oil-colours, acrylics, using different styles and painting supports. I have painted soft and wavy landscapes, which sometimes are rough and separated by plains. I saw these landscapes in Rome as I was a child and they come to my mind in my every day life. This is the Nature where History traces overlap and they get, in turn, enveloped by Nature. There is a continuous and silent conflict between these two elements. These conflict, together with Rome and its history, its streets, its ruins and of course its colours is the leit motiv of my work. These themes are here, at your fingertips. It's present history. I cannot describe with words what exactly I feel when I'm surrounded by these "strong" landscapes and I try to paint them. I have completed my knowledge on image studying and acquiring certificates on web design and commercial art and working as a graphic designer. At the moment I work in the Public Italian School as an Art Teacher. I took part in many collective exhibits. My works are in private collections in Italy, Europe, Japan, USA, China, Australia.

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