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View In My Room
Painting, Acrylic on Canvas
Size: 15.7 W x 15.7 H x 0.2 D in
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Still Life I started this series in 2017 to spot light on some Problematic issues related to the history of the connection between women (mainly as mothers) and poverty and nature. The Goal is to bring these Problematic issues to the field of art and keep them in mind as one reason of the current dilemmas. In 2017 I picket two wild fruits as elements of the series: the cranberry as a symbol of the breastfeeding nipple, and the fig as a hungry open mouth. In 2020 I added the olive because it presents, now and in the past, peace and proudness.
2017
Acrylic on Canvas
One-of-a-kind Artwork
15.7 W x 15.7 H x 0.2 D in
Not Framed
Not applicable
Ships in a Box
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Germany.
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Germany
artist and poet, born in 1979, Syria, live in Berlin, Germany. My art project is an intellectual-philosophical-poetic project just as well as it is an art project. I want my paintings to provoke the viewer’s consciousness and subconsciousness together, as poetry does and as does a dream that wakes someone from his sleep, without entering into a conflict with the person, that is, without feeling that it is directed against the person personally. That is a great challenge because the current human being is in general a personal, egoistic creature, who is living in a religious, ideological closed circles.. All the topics I am working on are connected, and can be put under three broad headings: Eco-feminism, Krishnamurti Philosophy, and Depth Psychology. One of the mainstays of Eco-feminism is to see the interconnections between (nature, the different other, and women), and that means that any change in the awareness of the relationship with nature leads to a change in awareness of the relationship with women and with the other who is different from us, and vice versa. From this view there are many paintings with the theme Woman or Nature.
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