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Painting, Acrylic on Soft (Yarn, Cotton, Fabric)
Size: 83.1 W x 48.8 H x 0.2 D in
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45 Views
5
Artist featured in a collection
The series of this pink work began as a result of a hoot. Unintentionally, the work appeared on its own. I had intended to do more work on it, but when I woke up in the morning and looked at the work, it was already finished, something that has happened only a few times in my nearly 40 years of painting life, but it happens from time to time. I once read somewhere that women are attracted to the color pink because of "memories of the hunter-gatherer era. Women, who were mainly gatherers, used to search for flowers and fruits in green trees with their eyes to feed themselves and their families. The theory is that "pink is the color of the flowers and fruits. I wonder if that distant memory made me choose this color. Pink is not only the color of fruit, but also the color of skin, flesh, and organs. As I deal with this color on a daily basis, I become undeniably aware of the "body" and its "temperature. Warm folds and pulsating shadows. It expands and contracts in both the micro and macro scale, enveloping and releasing. The experience of being overwhelmed and tossed about by the "colors of life" while being absorbed by its charms is both painful and truly stimulating. I would like to create a space unique to painting while giving richer form to the various images and experiences given to me by this color on the stage of abstraction, which I have been working on for many years. This piece is painted with a thin polyester fabric. I often use thin fabrics because I really like the oozy, translucent texture. This piece is lightweight and can be displayed directly on the wall with thin pins. This will be brought to you carefully rolled up. Translated with (free version)
2022
Acrylic on Soft (Yarn, Cotton, Fabric)
One-of-a-kind Artwork
83.1 W x 48.8 H x 0.2 D in
Not Framed
No
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Japan.
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Born in Tokyo and live in Tokyo BFA Tama Art University MFA Tama Art University Graduate School, Japanese painting major Chisato Yamada is a painter with 40 years of experience. What she has been pursuing for a long time is to see the invisible. In seeing, in experiencing, in thinking, in feeling, in history, in society, she has pursued an expression that can be seen only through painting. The style of most of her work is abstract, but she also has a style of painting concrete objects. She considers both abstract and figurative to be different routes to the same summit. She is at the same time very interested and attracted to the material of painting itself. She majored in Japanese painting at art college and uses a primitive painting medium called "iwa-enogu," which is made from minerals and other materials that have been used in Japan for centuries. She also uses acrylic paints for their robustness. She also uses a variety of painting materials. Canvas, Japanese paper, and non-painting materials such as polyester fabrics are often used in her work. In her 40 years of painting, she has created a diverse collection. Saatchi Art is pleased to present five of these collections. Please visit the Collections page.
Artist featured by Saatchi Art in a collection
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