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The Big Apple SOS Painting

O Yemi Tubi

United Kingdom

Painting, Oil on Canvas

Size: 20 W x 30 H x 1 D in

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ABOUT THE ARTWORK

“If my people, which are called by my name, shall humble themselves, and pray, and seek my face, and turn from their wicked ways; then will I hear from heaven, and will forgive their sin, and will heal their land.” 2 Chronicles 7:14 In the good times the New York is called “The City that Never Sleep.” Darkness engulfed the cityscape of the Big Apple - the New York as she recorded the highest cases of coronavirus and death in a single city in the world. The city that never sleep is now as if she is in her death sleep- the city roads are empty and dead-silent. This painting “The Big Apple SOS” was done in solidarity with the people of New York. The Statue of Liberty is one of the iconic landscapes of New York City; standing tall and proud with her torch raised high as shown in the cityscape at the background of this painting. Seeing her city and her people been devoured by the deadly worm- coronavirus; as a grieving Woman, she dropped her torch, dropped her tablet and dropped on her knees praying for the souls of the dead and the salvation of the living. This depicts her response to the call of God to everyone in the Holy Bible quotation at the top of this artist statement. Running down the rotten side of the Apple are the tears shed in mourning the death of dearly loved departed souls. This painting is in Solidarity for All in general and the people of New York in particular. God’s call is for everyone to humbly pray not only for the Big Apple but for the whole world. We all need to be humble and continue to pray that God will heal our world and vanquish the killer worm - coronavirus as the world leaders so far are powerless to subdue coronavirus.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

20 W x 30 H x 1 D in

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O. Yemi Tubi - An Artist and Advocate for the world’s Peace. I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine. I desire my portrait paintings to be uniquely creative. I do not copy images from pictures. I create what the camera cannot create. I use portrait paintings to tell the stories about my subjects and often use my subjects’ professions to create their portraits as I did with the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in my painting “SOYINKA: An Africans’ Literary Icon”, I used artist materials to create my painting “PORTRAIT OF AN ARTIST” and I used the violin to create the face of my subject in the “THE VIOLINIST” My works progress from political paintings to paintings of the facts of the life of people. The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use Roses and Thorns for portrait paintings of the facts of the life of people. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.

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