'The bleeding hearts and artists' Painting

Good morning, Worm your honor The crown will plainly show The prisoner who now stands before you Was caught red-handed showing feelings Showing feelings of an almost human nature This will not do Call the schoolmaster I always said he'd come to no good In the end your honor If they'd let me have my way I could Have flayed him into shape But my hands were tied The bleeding hearts and artists Let him get away with murder Let me hammer him today? Crazy Toys in the attic, I am crazy Truly gone fishing They must have taken my marbles away Crazy, toys in the attic he is crazy You little shit you're in it now I hope they throw away the key You should have talked to me more often Than you did, but no You had to go Your own way, have you broken any Homes up lately? Just five minutes, worm your honor Him and me, alone Babe Come to mother baby, let me hold you In my arms M'lud I never wanted him to Get in any trouble Why'd he ever have to leave me? Worm, your honor, let me take him home Crazy Over the rainbow, I am crazy Bars in the window There must have been a door there in the wall When I came in Crazy, over the rainbow, he is crazy The evidence before the court is Incontrovertible, there's no need for The jury to retire In all my years of judging I have never heard before Of someone more deserving Of the full penalty of law The way you made them suffer Your exquisite wife and mother Fills me with the urge to defecate Since, my friend, you have revealed your Deepest fear I sentence you to be exposed before Your peers Tear down the wall ‘The Trial’ by Pink Floyd Songwriters: Roger Waters / Bob Ezrin "The Trial" (working title "Trial by Puppet") is a track from Pink Floyd's 1979 rock opera/concept album The Wall. Written by Roger Waters and Bob Ezrin, it marks the climax of the album and film. The song centres on the main character, Pink, who having lived a life filled with emotional trauma and substance abuse has reached a critical psychological break. "The Trial" is the fulcrum on which Pink's mental state balances. In the song, Pink is charged with "showing feelings of an almost human nature." This means that Pink has committed a crime against himself by actually attempting to interact with his fellow human beings, defying the mission towards self-isolation that defined much of his life. Through the course of the song, he is confronted by the primary influences of his life (who have been introduced over the course of the album): an abusive schoolmaster, his wife, and his overprotective mother; in the animated sequence, they are depicted as grotesque caricatures. Pink's subconscious struggle for sanity is overseen by a new character, "The Judge." In Pink Floyd -- The Wall and the concert animations, the Judge is a giant worm for most of the song until his verse, at which point he transforms into a giant anthropomorphic body from the waist-down (bigger than the marching hammers in "Waiting for the Worms"), his face constructed from various elements of the buttocks and genitals. A prosecutor conducts the early portions, which consist of the antagonists explaining their actions, intercut with Pink's refrains, "Crazy/Toys in the attic, I am crazy,/Truly gone fishing" and "Crazy/Over the rainbow, I am crazy,/Bars in the window." The culmination of the trial is the judge's sentence for Pink "to be exposed before your peers" whereupon he orders Pink to "Tear down the wall!" As Waters sings the dialogue for each character he transitions into different accents including: Cockney accent (the prosecutor and judge), Scottish accent (the schoolmaster) and Northern English accent (Pink's mother). For the character of Pink's wife he used his normal voice on the album and the original 1980-81 tour. However, in his solo 2010-13 tour of The Wall he portrays the wife with a distinctively French accent. This and the following song, "Outside the Wall," are the only two songs on the album which the story is seen from an outsider's perspective, most notably through the three antagonists of "The Trial," even though it is all in Pink's mind. The song ends with the sound of a wall being demolished amid chants of "Tear down the wall!", marking the destruction of Pink's metaphorical wall. The segment in the film version is a full-length animated sequence of vivid colour and disturbing visuals; the animation was originally designed for the album's concert performances, before being reworked for the film adaptation. Political cartoonist Gerald Scarfe directed the design for the segment. The film segment relies not only on visuals, but also on the themes, music, and lyrics of the original song. Pink, himself, is portrayed as an almost inanimate rag doll throughout the sequence. Pink's schoolmaster, wife and mother and the prosecutor and judge are depicted as large and grotesque caricatures and are known individually by their role: The prosecutor is a caricature of a Victorian barrister. He is short and rotund, wearing a long navy gown which trails behind him, at points above his own head, such as when he leaps onto the wall (depicted as being composed of white bricks, as in the album's cover). His facial features are occasionally greatly exaggerated; depending on what he is saying. For instance, when he describes Pink's charges, during saying that Pink has experienced "feelings of an almost human nature," his face moves close to the camera and assumes a grotesque expression of disgust and contempt. The schoolmaster is brought down like a marionette on strings, controlled by his overbearing wife, referring to the earlier song "The Happiest Days of Our Lives." He has a long face with grey skin and two pointy tufts of hair on top, making his head somewhat resemble a hammer. The wife comes out from underneath the wall, represented as the scorpion/praying mantis that previously appeared during "Don't Leave Me Now." The mother comes in as an abstract, morphing image of an airplane (referencing the plane which killed Pink's father, and also the plane which Pink was playing with in "Another Brick in the Wall (Part I)"), and then transforms into a talking vagina, which then encircles Pink before morphing into a caricature of the archetypal mid-20th century British mother. As her verse ends, she transforms into the wall that Pink continues to be trapped behind. The judge is portrayed as a giant pair of buttocks — complete with two backwards facing legs, an anus for a mouth (with a monstrous voice), and a scrotum for a chin — wearing a judge's wig. The judge reaches the final verdict to tear down the wall and vomits out a montage of clips from the movie shown before were played, following this is a long moment of silence before the wall begins to burst apart, accompanied by a scream of agony and terror from Pink. The animated sequence was used in the 1980/81 concert versions of The Wall with Waters singing the song in front of The Wall as "The Trial"'s animation played behind him on the wall. It was then used again in the 2010-13 touring concert version, albeit with the "crazy" interludes modified to incorporate CGI (most prominently the replacement of the floating leaf sequence with one of a deformed humanoid lashing out towards the audience, surrounded by graffiti of hateful messages). There are also a number of differences on the 1980/81 Live version of the animation compared to the 1982 movie. Several scenes were re-shot to fit the wider screen, while in many other cases (i.e. the "crazy" intervals + most scenes with the judge) stretched to fit the widescreen format, The first scenes of the Trial being set-up there lack cuts in the live version; it's one long tracking shot through the many characters in the scene while the worms form the stage. In other cases too there are scenes entirely deleted like an crowd of large humanoids cheering for the judge to "shit on him", as well as the bricks transforming into the wife/mother/schoolmaster characters after the judge's verse, cutting abruptly into Pink's memories; some of these scenes appear intact in the more recent 2012 tour. The Wall is the eleventh studio album by the English rock band Pink Floyd, released on 30 November 1979 by Harvest and Columbia Records. It is a rock opera that explores Pink, a jaded Rockstar whose eventual self-imposed isolation from society forms a figurative wall. The album was a commercial success, topping the US charts for 15 weeks, and reaching number three in the UK. It initially received mixed reviews from critics, many of whom found it overblown and pretentious, but later received accolades as one of the finest albums of all time. Bassist Roger Waters conceived The Wall during Pink Floyd's 1977 In The Flesh tour, modelling the character of Pink after himself and former bandmate Syd Barrett. Recording spanned from December 1978 to November 1979. Producer Bob Ezrinhelped to refine the concept and bridge tensions during recording, as the band were struggling with personal and financial issues at the time. The Wall is the last album to feature Pink Floyd as a quartet; keyboardist Richard Wright was fired by Waters during production, but stayed on as a salaried musician. Three singles were issued from the album: "Another Brick in the Wall, Part 2" (the band's only UK number-one single), "Run Like Hell", and "Comfortably Numb". From 1980 to 1981, Pink Floyd performed the full album on a tour that featured elaborate theatrical effects. In 1982, The Wall was adapted into a feature film, for which Waters wrote the screenplay. The Wall is one of the best-known concept albums. With over 30 million copies sold, it is the second best-selling album in the band's catalogue (behind The Dark Side of the Moon) and one of the best-selling albums of all time. Some of the outtakes from the recording sessions were used on the group's next album, The Final Cut (1983). In 2000 it was voted number 30 in Colin Larkin's All Time Top 1000 Albums. In 2003 and 2012, it was included in Rolling Stone's lists of the greatest albums of all time. From 2010 to 2013, Waters staged a new Wall live tour that became the highest-grossing tour by a solo musician. Pink Floyd were an English rock band formed in London in 1965. Gaining a following as a psychedelic pop group, they were distinguished for their extended compositions, sonic experimentation, philosophical lyrics and elaborate live shows, and became a leading band of the progressive rock genre. Pink Floyd were one of the first British psychedelia groups, and are credited with influencing genres such as neo-progressive rock and ambient music. Pink Floyd were founded by students Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals), and Richard Wright (keyboards, vocals). Under Barrett's leadership, they released two charting singles and a successful debut album, The Piper at the Gates of Dawn (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concepts behind the band's peak of critical and commercial success with the albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979). The Waters-written musical film based on The Wall album, Pink Floyd – The Wall (1982), won two BAFTA Awards. Following personal tensions, Wright left Pink Floyd in 1979, followed by Waters in 1985. Gilmour and Mason continued as Pink Floyd, rejoined later by Wright. The band produced two more albums—A Momentary Lapse of Reason (1987) and The Division Bell (1994)—and toured both albums before entering a long period of inactivity. In 2005, all but Barrett reunited for a one-off performance at the global awareness event Live 8. Barrett died in 2006, and Wright in 2008. The last Pink Floyd studio album, The Endless River (2014), was based on unreleased material from the Division Bell recording sessions. By 2013, Pink Floyd had sold more than 250 million records worldwide, making them one of the best-selling music artists of all time. The Dark Side of the Moon and The Wall are among the best-selling albums of all time, and both have been inducted into the Grammy Hall of Fame. Four of the band's albums topped US or UK record charts, and hit singles produced include "See Emily Play" (1967), "Money" (1973), the three-part composition "Another Brick in the Wall" (1979), "Not Now John" (1983), "On the Turning Away" (1987) and "High Hopes" (1994). The band also composed several film scores. They were inducted into the US Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005. In 2008, King Carl XVI Gustaf of Sweden presented Pink Floyd with the Polar Music Prize for their contribution to modern music. George Roger Waters (born 6 September 1943) is an English songwriter, singer, bassist, and composer. In 1965, he co-founded the progressive rock band Pink Floyd. Waters initially served solely as the bassist, but following the departure of singer-songwriter Syd Barrett in 1968, he also became their lyricist, co-lead vocalist, and conceptual leader. Pink Floyd achieved international success with the concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979). By the early 1980s, they had become one of the most critically acclaimed and commercially successful groups in popular music; by 2013, they had sold more than 250 million albums worldwide. Amid creative differences, Waters left in 1985 and began a legal dispute over the use of the band's name and material. They settled out of court in 1987. Waters' solo work includes the studio albums The Pros and Cons of Hitch Hiking (1984), Radio K.A.O.S. (1987), Amused to Death (1992), and Is This the Life We Really Want? (2017). In 2005, he released Ça Ira, an opera translated from Étienneand Nadine Roda-Gils' libretto about the French Revolution. In 1990, Waters staged one of the largest rock concerts in history, The Wall – Live in Berlin, with an attendance of 450,000. As a member of Pink Floyd, he was inducted into the US Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Famein 2005. Later that year, he reunited with Pink Floyd bandmates Nick Mason, Richard Wright and David Gilmour for the Live 8 global awareness event, the group's first appearance with Waters since 1981. He has toured extensively as a solo act since 1999; he performed The Dark Side of the Moon in its entirety for his world tour of 2006–2008, and the Wall Live tour of 2010–13 was the highest-grossing tour by a solo artist at the time. Source: Wikipedia

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:20 W x 16 H x 0.5 D in

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