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THE CHAOS - Illusionistic figures - Face combination Painting

Wadih Maalouf

Lebanon

Painting, Oil on Canvas

Size: 39.4 W x 39.4 H x 0.8 D in

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$1,460

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About The Artwork

This painting is based on thick oil texture and colors. I use my graphical language to create shapes of combined figures. I use faces to describe a scene of kind of turbulence and dynamism which it came the name of "THE CHAOS" . The composition creates a vibrant uniform movement of lights and shadows to make it more clear and valuable. I try to put a high potential of creativity and imagination by using stylized illusionistic figures from my mind to project the scene and showing on the canvas, how much the subject could be confident with my own style . The white strokes effect is the most important factor. Their role create a dynamical fast movement to create a reaction of chaotic ambiance where it makes you feel a crowd of too many combined faces . The effect of luminosity got an important role too. By focusing on it on the figures i make my painting very clear and more valuable, and contribute with strokes effect to describe the sensibility and the identity of the faces, and the contrast light -shadows describes their forms. My aim in art is to show a high potential of creativity and expression

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

MY BYOGRAPHY : I was born in Beirut in the 18th of August 1978 where I spent my childhood and made my school education. I studied arts in Lebanese university - Art department in Paintings and drawings. I am a self-taught artist and previously a past art student. I believe in power of color and their attraction. It gave me the passion to express myself and create freely in too many several subjects, which i feel the moment of enjoy and happiness. As an expressionist, my aim is to show a high potential of expression and creativity .

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