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The Egg Painting

Angus Lowe

United Kingdom

Painting, Oil on Paper

Size: 16 W x 20 H x 0.1 D in

Ships in a Box

This artwork is not for sale.

77 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

It started as a way of using up paint on the palette that was soon to dry up. The artwork soon became more like a sculpture as I pushed the thickened clay like colours twisting and pushing the paint with my hands until it found it's form as an egg. The resulting work is an inch thick of deeply cra...

Year Created:

2020

Subject:
Mediums:

Painting, Oil on Paper

Rarity:

One-of-a-kind Artwork

Size:

16 W x 20 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Angus Lowe studied Art History at University of Manchester before an MA in Architectural History at UCL. His process allows for a kind of miraculous development of forms. The first step requires a clearing of mind in front of the canvas so that the first marks are intuitive, freed from intention close to Surrealism's automatic drawing. Often using a marker pen, the lines become a notation for a subject. Imagining the physicality of being that subject, a methodology developed from BA research into empathy and kinaesthetics, suggests a certain gestural energy, which is then manifested with oil paint. This method necessarily results in a wide variety of images due to chance being at their evolutionary core. What they have in common is considered attention to the characteristics of each brush stroke and how their painterly interaction reveals the underlying force of the subject.

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