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The Moorish General: Othello © David G. Wilson Painting

David G Wilson

United States

Painting, Acrylic on Other

Size: 30 W x 40 H x 1 D in

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641 Views
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About The Artwork

The strategic juxtaposition of commonplace objects like a chair draped with Pan-African colors, weapons traditionally seen in Orientalist paintings and a hand of bananas strategically placed on a table upon which there is a warrant, creates the image of Shakespeare's protagonist of the same name - Othello. Shakespeare places Othello in Italy fighting against the Moors at the battle of Lepanto in 1571. But if he were a moor, why would Othello fight against his own people? I believe he would more likely be holding the warrant for the arrest of Fr. Bartolomeo de Las Casas on charges of "Crimes against humanity", for his suggestion to the monarchs of Spain to enslave his African brothers for four hundred years. Why did Shakespeare portray Othello as a traitor to his own moorish brothers? Is this the only image that he could portray of a black man? In the image that makes up Othello's face, we see Desdemona (Des demons - French for the demons, thereby demonizing the white woman who "condescend" to elope with a black man) lying on a bed, guarded by her eunoch, while her African maid serves her. It is significant to note that Shakespeare would use Othello to fight a crusade against his own moorish people, thus making him a traitor to his race and when he got the "Jungle fever" or "The Complex", Shakespeare made certain to kill him, at the end of the story, because of his unacceptable transgression of marrying a white woman. Does this literary outcome reflect the times in which he was writing or his personal inclination toward bigotry? This is the mindset of an imperialistic mentality. © David G. Wilson

Details & Dimensions

Painting:Acrylic on Other

Original:One-of-a-kind Artwork

Size:30 W x 40 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is David G. Wilson. I was born in 1953 in the English and French Creole speaking Caribbean Island, The Commonwealth of Dominica. I have been painting for over forty-five (45) years. However, my artistic inclination has been lifelong. I immigrated to the United States in 1976 where I obtained a bachelor's degree in Economics with a minor in foreign languages (French & Spanish). I am a self-taught artist whose interest in painting intensified on my arrival in the United States. By visiting the numerous museums at my disposal in the USA, I have been able to learn more about Art and Art History than if I had attended art school. I live in New York City with my wife of thirty-eight (38) years, Yvonne. ANTHROPOMORPHIC PERCEPTION. I paint in a style that I call "Anthropomorphic Perception." It reflects "An exercise in Ultra-Perceptive Plausible Juxtaposition." Anthropomorphic Perception demonstrates my cultivated ability to perceive hitherto unseen alternative realities within any image that I behold. The "mnemonic" objects and images that I perceive therein are reminiscent of the trinkets with which my African ancestors were equated. By strategically juxtaposing inanimate objects to create human form I try to graphically approximate the cruel and reductive equation to which slavery devalued the image of my African ancestors and it serves to illustrate the degree of dehumanization to which my ancestors were subjected. By strategically juxtaposing commonplace anthropomorphic still-life objects that collectively create a human form, I can portray the obvious humanity that the slave-master refused to acknowledge, but instead chose to see my ancestors as merchandise to be bought and sold at the auction. From childhood, my exposure to images of European art has left me with an unapologetic predilection for Western aesthetics. In short, I love European Old-master paintings and have had a life-long infatuation with the work of Leonardo da Vinci. In 1980, shortly after discovering the works of Salvador Dal, and by extension that of Guiseppi Arcimboldo, I read a quote from Leonardo,the artist who wishes to enhance his faculties for creative invention can stare at a stain on the wall and perceive therein, whatever he wishes to see. I was instantly taken back to my childhood when my mother was teaching my late brother, Eddie, and me to read.

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