VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 70 W x 50 H x 4 D in
Ships in a Crate
A year long obsession with the design & form of horses climaxing with this larger piece. The vibrating yellow and plasticky bright pink highlight the vibrant - almost sickly- horse as it stares into the viewer.
Original Created:2015
Subjects:Horse
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:70 W x 50 H x 4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
James D. Hopkins (b.1994, Cardiff) is an artist living and working in London. He has exhibited in London, various locations around the UK as well as in Madrid, New York and Florida and in 2018 was an October resident at chaNorth Artist Residency, Upstate New York. James’ work focuses on the asymmetrical and absurd, exploring cultish iconography and performative combat. Consuming an abundance of prolific online media which is absorbed and regurgitated into a mesh of over-saturated grotesqueness; combining humour with a feeling of unrelenting dread. Paintings. Characters and installations which are aesthetically alarming, repetitive, nostalgic humorous and unsettling, grounded in the idea of Kayfabe; a professional wrestling term describing staged events portrayed as if they were real. He works with costume, painting, performance, video, sculpture and installation, often combining these media simultaneously. His alter-ego Deadboy the Kid is a member of DANKCollective, a London art collective who focus on the absurdity, humour and violence of post-irony culture.
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