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The Sensual World Painting

Caia Matheson

United Kingdom

Painting, Oil on Canvas

Size: 25.6 W x 29.1 H x 1.2 D in

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ABOUT THE ARTWORK

I am inspired by creative writing and I often flick through books to land on a phrase that will take me on a journey. This painting is inspired by Molly Bloom stepping out of the black and white, two-dimensional pages of James Joyce’s Ulysses onto the canvas. Molly Bloom’s soliloquy is the 18th and final episode of Ulysses. The episode begins and ends with “yes”, a word that Joyce described as “the female word” and that he said indicated “acquiescence, self-abandon, relaxation, the end of all resistance.” Musician Kate Bush’s lyrics based on Ulysses adds a further dimension. “And how we’d wish to live in the Sensual World you don’t need words just one kiss then another. Stepping out of the page into the sensual world”. ‘The Sensual World’ is a celebration of woman’s sensuality and passion. A powerful statement about female sexuality and consent. The Sensual World “And how we’d wish to live in the Sensual World you don’t need words just one kiss then another. Stepping out of the page into the sensual world” Kate Bush Lyrics based on James Joyce’s “Ulysses”

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

25.6 W x 29.1 H x 1.2 D in

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Caia Matheson is a Contemporary Oil Painter and currently lives and works in Eastbourne, East Sussex. Her work features layered colourful abstracts and figures that continually reference themes of antimony or contradiction such as light/dark, stillness/movement, the visible and invisible. Matheson was born in Johannesburg, South Africa where she would delight in nature and the wild animals of Kruger National Park. Being raised by a Xhosa nanny and gardener from the Zulu tribe both living on the property, her youth was filled with tribal stories and cultural rituals. At age 7 she emigrated with her family to Tokyo, Japan to attend an International School. The contrast of cultures as well as the rural versus city locations began her fascination with contradictions and paradoxes. Spending her formative years in Tokyo, she would still visit South Africa on a yearly basis. On one such visit to Joubert Park in Johannesburg, her mother shared the story of racial segregation illustrated by the black and white painted benches in the park - an absurdity that would begin the emblematic nature of colour in the young artist's mind. On multiple journeys, Matheson visited various Asian countries, discovering unfamiliar and exotic places in Thailand, Singapore, the Seychelles, and around Japan - memories that she began to recall in shapes and lines for her artworks. Returning to Johannesburg at the height of Apartheid, aged 14 she attended school taking part in the 1985 Free Nelson Mandela Rally at Witts University before emigrating to London at 16, where she attended Lansdowne college completing A levels in Arts and Languages. Losing her mother at an early age due to illness, Matheson would be prompted to work for the Japan Travel Bureau, later transferring to All Nippon Airways and Fuji Bank, then as a Production Manager for Designer Originals and freelancing as Event Manager for Arts and Music Festivals and Events. Leaving work after a couple of years, she would travel around Holland and Spain and live in an isolated hippie community, before returning to London to focus on her journey towards becoming an artist. After having worked in several creative industries including Fashion, Music, Set Design and Event Management, Matheson received a Distinction in 3D Art & Design at Barnet College in 1994.

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