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Painting, Oil on Canvas
Size: 59.1 W x 59.1 H x 1.2 D in
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The anatomy of pain Lately I was going around the idea that if pain would be possible to be painted how would it look like? This thought was in my mind over and over trying to give it shape and color. This piece also talks about how we can transmute pain and convert it into something beautiful. Pain has millions of faces and layers. It could be ancient, it could happened when you where a child, the terrible pain of been sick, loosing someone close to us or trying desperately to have eternal beauty … emotions that goes too deep into our souls that are so personal and unique it is really inexplicable. But pain could be beautiful too. It is through pain how we grow, how we learn what life is about, only facing it we can move forward. I was not sure how to do it, so I decide to go back to my roots, and there I got the answer I was looking for. In Italian Renaissance something extremely cruel and violent was showed as one of the most beautiful and remarkable works of art in human history, in Cranach work the panel showing the suicide of Lucretia after she was violated by Sextus Tarquinius, or courage of ancient Romans in intensely passionate struggle in the pancratiastis fights or simply the pain of been over weight over emotional and over worried. Keywords: plants, red, birds, turquoise, ancient rome, francis bacon, flowers, green, barroque, luxury, nature, oil
Painting:Oil on Canvas
Size:59.1 W x 59.1 H x 1.2 D in
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
Saatchi Art NFT artist #SaatchiArtNFTArtist #Fair Director's Pick Saatchi art AAF NYC Metropolitan Pavilion in Chelsea March 22 – 26, 2023 ART on Paper 2022 New York City I have been always fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work. About the technique Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved. www.kareninafabrizzi.com
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