Thinking about Cy Painting

COLOR MUST BE TASTED, YOU MUST FEEL IT ON YOUR TONGUE. It is a sensual undertaking that begins with a picture. COLOR MUST HAVE SENSIBILITY LIKE BIT IN AN APPLE OR HANDSHAKE WITH A FRIEND: COLOR IS SOMETHING BODY: YOU HAVE TO TAKE INTO THE MATERIAL SOUL BY. PAINTING IS A CALLING RITUAL, MARRIAGE. ” EMIL SCHUMACHER, 1997 THIS QUOTE BY EMIL SCHUMACHER, WHICH I HAVE VERY HONORED AND HAS ALSO INSPIRED ME, MEETS THE ESSENCE, THE MEANING OF THE PAINTING AND COLOR THAT HAS DEVELOPED OVER THE YEARS. IN THE BEGINNING INEXPERIENCE, INTUITIVE: LATER KNOWLEDGE AND ALWAYS TARGETED APPLICABLE: THE LUCK OF THE AUTODIDAK! THE DEVELOPMENT OF YOUR OWN PROCESS, MATERIAL, THAT OF A MATERIAL CUSTOMER, EMOTIONAL AND SENSUAL EFFECT. LINE, COLOR AND MATERIAL ARE SEITHER THE THREE ELEMENTS IN MY PICTURES THAT ARE INEQUISIBLY CONNECTED. However, the color indicates the unfolding of the inner voice, the intuition. You can experience color. COLOR IS EMOTION, COLOR IS POWER! THE TASK IS NOT TO CREATE A SURFACE WITH COLOR, BUT TO PLAY WITH THE MATERIAL THROUGH MULTI-LAYER APPLICATION, ADD LINES TO OBSERVE THE DEVELOPMENT AND DEVELOPMENT. THIS DYNAMIC NOW CHANGES IN THE DESIGN PROCESS AND IT BEGINS AN INNER EXPLORATION. THE SHAPES THAT ALWAYS MAKE ACCIDENTAL DOES NOT BIND THE VIEWER IN THEIR ASSEMBLY SUBJECT MOTIVE, BUT ONLY SHOULD BE POINTS AND STRUCTURAL IN GENERATING YOUR OWN EMOTIONS. A KIND OF OWN WORLD OR OWN REALITY LIKE EVERYTHING ALIVE. FOR ME, THE TRANSPORT OF ENERGY IN THIS CREATION IS THE INTERACTION OF THE ARTIST WITH THE VIEWER (SEEING) WITHOUT A REAL ENCOUNTER BETWEEN US. THE SAME INSPIRATION PROCESS THE ARTIST HAD BEEN PRIOR TO THE CREATION OF HIS WORKS. AN INVISIBLE ABSTRACT EMOTIONAL TOUCH.