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Tintotela Painting

Ambrosio Paolo

Painting, Acrylic on Canvas

Size: 39.4 W x 55.1 H x 1.6 D in

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$6,450

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About The Artwork

What sets you apart from other artists? Art not to reflect all the vicissitudes, variations, endless repetitions of history as in a large mirror, but to create its own history. Ambrosio found himself in symbiosis with Roland Barthes' mine of ideas and insights in (Carte-Segni, Roland Barthes, 1981, Electa). In fact, since 1970 Ambrosio's research has adopted the trial and error system which, after severe and controlled tests, where the thought can be accepted or not, leads to the realization of something inevitable. In IMAGE-ART The gesture-sign theorized by Roland Barthes is highlighted in Ambrosio's individual intuitions. What are your strengths IMAGE-ART is an artistic practice that has been using the eye's ability to manage GESTURE since the 1970s. Ambrosio shows the GESTURE on the traces of the movement of the hand where an expressive form emerges, a SIGN that gives freedom to the GESTURE. In practice, the Gesture ignites resources and makes it possible to transpose all the hopes of our desire.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 55.1 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

What is Ambrosio's message? Often starting from automatic drawings and working obsessively Ambrosio creates image attributes which find the expressive solution through awareness. The signs that make up the images are letters of an alphabet without grammar which do not find justification in the value of the individual but as part of a whole of communication. Through the Gesture-Sign the vibrations are activated which bring into the world a dynamic of the suspended reality of time. Traces of the crucial vigor of the Gesture-Sign are released in the spaces of the canvas What are Ambrosio's strengths? IMAGE-ART is an artistic practice that has been using the eye's ability to manage GESTURE since the 1970s. Ambrosio shows the GESTURE on the traces of the movement of the hand where an expressive form emerges, a SIGN that gives freedom to the GESTURE. In practice, the GESTURE ignites the resources and makes it possible to transpose the SIGN, the set of hopes of our desire, into the work.

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