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"Tintotela" Painting

Ambrosio Paolo

Painting, Acrylic on Canvas

39.4 W x 55.1 H in

Framed, Ready to Hang

$5,840

Shipping Included

14-day free returns

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

In TINTOTELA 1970 with the technique of GESTURE-SIGN Ambrosio created ARTE POVERA. The sign in its expressiveness is highlighted in the spaces of the canvas that are immaterial. The sign made of nothing. Completely ARTE-POVERA because the elements used are without value. What sets you apart from o...

Year Created:

1977

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 55.1 H x 1.6 D in

Ready to Hang:

Yes

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Ambrosio Paolo

About the Artist

Ambrosio Paolo

What is Ambrosio's message?
Often starting from automatic drawings and working obsessively Ambrosio creates image attributes which find the expressive solution through awareness. The signs that make up the images are letters of an alphabet without grammar which do not find justification in the value of the individual but as part of a whole of communication. Through the Gesture-Sign the vibrations are activated which bring into the world a dynamic of the suspended reality of time. Traces of the crucial vigor of the Gesture-Sign are released in the spaces of the canvas

What are Ambrosio's strengths?
IMAGE-ART is an artistic practice that has been using the eye's ability to manage GESTURE since the 1970s. Ambrosio shows the GESTURE on the traces of the movement of the hand where an expressive form emerges, a SIGN that gives freedom to the GESTURE. In practice, the GESTURE ignites the resources and makes it possible to transpose the SIGN, the set of hopes of our desire, into the work.

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Siting Wang, Associate Curator