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Painting, Acrylic on Eco-friendly Handcrafted Textile Emulating Snake Leather
Size: 57.7 W x 39.8 H x 0.4 D in
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11 Views
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A global pandemic is teaching us that, unless we stick together, we will not be able to survive the current situation. Based on this fact, the spirit and inspiration of this figurative-abstract painting are: "together we can, together we are a powerful wave that is capable of everything". The piece is fundamentally blue to enhance this idea. The support is a handmade, eco-friendly textile with a semi-satin, pearlescent blue dye that recalls the tone of the ocean at night, the wave. The orange tones shed a sense of warmth, of unity of the human being. Three faces emerge, identical, traversed by lines sewn with wool and thread. The textile imitates the skin of a snake, following the undulations of this animal. Symbol of poisoning and sin, this false leather implements the message: either we remain united, open to listening to each other and working together, or we are poisoning ourselves. Let's go together!
2021
Acrylic on Eco-friendly Handcrafted Textile Emulating Snake Leather
One-of-a-kind Artwork
57.7 W x 39.8 H x 0.4 D in
Not Framed
Yes
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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France
I call my vision: Art in expansion. I make figurative abstract paintings divided into modules. These figures, reunited in the form of installations, suggest the pieces of a puzzle that I am trying to connect using bold colors compositions and organic precise freehand lines. I want to defy the viewer's credulity in the abstract artistic field. To do so, I paint these high-definition machine-quality lines by hand. My art is about the instant, an innate rhythm where the apparent complexity gets reduced into a dynamic flow. I try to challenge spatial limitations to show that the world is a whole in movement. The beginning and the end of things always find a point in common. Besides the disruptions and the impermanence, the system shows a capacity for transformation that proves resilience. Everything lives in expansion, differentiated and connected at once. The study of Japanese aesthetics, the behavior of Mother Nature, and the tribulations of the Human Condition are constant sources of inspiration. Important influences are Joseph Albers, the hard-edge painting movement, the architecture of Zaha Hadid, and the contemporary parametrical design. I follow an intuitive and experimental artistic process. Without sketch support, each artwork begins with a small image that I gradually expand in space. They acquire a larger scale. It can be a drawn portrait using color pencils, an embroidered black and white photography, or a little collage, that grows through lines on the different modules. I mainly use mixed media water-based techniques on paper, wood, linen, and eco-friendly handcrafted textiles.
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