VIEW IN MY ROOM
United States
Painting, Oil on Other
Size: 20 W x 16 H x 0.2 D in
Ships in a Crate
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"This time it is a journey through “le temps perdu”. Like all true artists, allowing memory to be a painter and a writer, he describes the vanished world of his childhood in idiosyncratic details, and unexpected, startling configurations, thus reinventing the world of his childhood. These astounding images have the quality of dreams, of faraway memories of a faraway world. Up is down, past is present, memory is a labyrinth… This world has not vanished, as long as the artist can conjure it, metamorphosed through his alchemical filter."
Painting:Oil on Other
Original:One-of-a-kind Artwork
Size:20 W x 16 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
These are paintings-of-paintings and in this sense, copies, reproductions from a personal invisible gallery.I re-member my own paintings. They'll always be copies, sometimes copies of copies, and I feel that it all rhymes well with our fragmented, derivative times.Speaking of which: I cover only as much as I can complete in one go, therefore the canvas is divided into more or less equal "slices". Naturally, there are differences between these different parts, as each day is different. I do not see a real difference between writing and painting, as both gesture and intent. Just using a different range of ideograms, that's all. I use words like others use nature as reference...this is where the power of image seems to stem from: this conceptual / perceptual balance......the imagery I use has to do with: the equation nature / man-made nature, the confusions and misunderstandings of human intercourse, the irrelevance of emotion, the notion of guidance, of consuming art and consuming anything else, but especially with the paradox of failure, the luminous, celebratory sense of failure which contains its own success like a seed: the accomplished failure.( see that in the "Shipwreck" series, on www.invisiblestudio.com)
Artist featured by Saatchi Art in a collection
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