VIEW IN MY ROOM
Toxic Masculinity Painting
Germany
Painting, Acrylic on Canvas
Size: 31.5 W x 31.5 H x 1.4 D in
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About The Artwork
This is an original painting using acrylic paint, watercolor, fineliner ink pen , gold leaf and split wood balls on canvas. The inspiration behind the painting is "toxic masculinity" and addressing one of the issues relating to this phenomena. Men who do not follow the cultural or society norms and as the result getting bullied and experiencing aggression and forced social isolation. The shapes behind the male figure dancing with a very long red skirt are inspired by Persian carpet patterns. The painting is already attached to a floating frame assembled and painted by myself.
Original Created:2020
Subjects:Men
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:31.5 W x 31.5 H x 1.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Imanuel Scheiko is an Iranian visual artist. The current phase of his artistic journey began when he moved to Germany in 2009 and dove deeper into exploring the intersections of culture. Scheiko blends the ancient visuals of Persian carpet weaving with the complexities of life in Berlin. He draws direct inspiration from his experience as a wedding photographer and translator for refugees. The sobering chaos of iconic Persian patterns invites the viewer on a quest of perceptive discovery. Scheiko's work plays with elements of paradox; seemingly symmetrical and harmonious but ultimately human in its essence.The artist remains deliberately expressive in form and color, and at the same time engages with story and narrative. He uses these components to extend his culturally open approach to the viewer.
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