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As I paint and draw very intuitively, this piece just turned up on the paper within three days. That means I pass the painting a few times a day and keep adding the single elements very spontaneously. In the end I just look at it a lot and add a little line or mark here and there to balance the painting in its whole impression.
I used blue carton paper 70 x 50 cm and chose a mix of metallic (copper, silver) and plain acrylic colours (black, white, grey, yellow, green, sienna), using spatulas of different sizes to finish this painting.

I recommend to first mount and frame it in decent colours, so that the colours in the painting don't have to "compete" with a strong frame colour.

On the front I always sign in my short form and the year, and on the back full name signature with title, location and date.

Please note: The sale of original artwork does not include the sale of copyright. All rights reserved.
As I paint and draw very intuitively, this piece just turned up on the paper within three days. That means I pass the painting a few times a day and keep adding the single elements very spontaneously. In the end I just look at it a lot and add a little line or mark here and there to balance the painting in its whole impression.
I used blue carton paper 70 x 50 cm and chose a mix of metallic (copper, silver) and plain acrylic colours (black, white, grey, yellow, green, sienna), using spatulas of different sizes to finish this painting.

I recommend to first mount and frame it in decent colours, so that the colours in the painting don't have to "compete" with a strong frame colour.

On the front I always sign in my short form and the year, and on the back full name signature with title, location and date.

Please note: The sale of original artwork does not include the sale of copyright. All rights reserved.
As I paint and draw very intuitively, this piece just turned up on the paper within three days. That means I pass the painting a few times a day and keep adding the single elements very spontaneously. In the end I just look at it a lot and add a little line or mark here and there to balance the painting in its whole impression.
I used blue carton paper 70 x 50 cm and chose a mix of metallic (copper, silver) and plain acrylic colours (black, white, grey, yellow, green, sienna), using spatulas of different sizes to finish this painting.

I recommend to first mount and frame it in decent colours, so that the colours in the painting don't have to "compete" with a strong frame colour.

On the front I always sign in my short form and the year, and on the back full name signature with title, location and date.

Please note: The sale of original artwork does not include the sale of copyright. All rights reserved.

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View In My Room

Transmission Painting

Bettina Charlotte Radatz

Portugal

Painting, Acrylic on Paper

Size: 19.7 W x 27.6 H x 0.1 D in

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$340

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As I paint and draw very intuitively, this piece just turned up on the paper within three days. That means I pass the painting a few times a day and keep adding the single elements very spontaneously. Something is painting through me, I don't think. In the end I just look at it a lot and add a littl...

Year Created:

2019

Subject:
Medium:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 27.6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Portugal.

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Need more information?

Bettina Charlotte's career as an artist began after a long life of exploration. Although she has traveled around geographically too, Berlin/ Germany had been her base for 54 years - in 2013 this has changed as she decided to move to the Portuguese island of Madeira. Before starting her artistic career Bettina Charlotte has explored different professions: she travelled the world as flight attendant for Lufthansa, she learned to be and worked as professional photographer, studied adult education and worked with adults for many years, was self employed and worked as systemic life coach in Berlin, Germany – these professions have given her a wide horizon of different elements of life. Because of her constant drive to be creative, art has always accompanied her during times of other professions and in 2013 she finally decided to work as full time artist when she moved to the island of Madeira to be part of the local artist community. Perhaps because of all this together--getting to know so many earthly professions--her art has turned more into the abstract and sometimes metaphysical. Her special ability is intuitive painting in a gestural expressive way – she calls it “The Art to Listen to Your Heart” which she also teaches in workshops in Alentejo, on the Portuguese mainland. Bettina Charlotte spontaneously chooses the materials, tools and techniques - having fun and trusting her intuition to lead the way during the creative process is a very important factor for an authentic expression, she says. In early years she was inspired by Miro, Klimt, Klee, Picasso in painting and Rodin in sculpting. She lives and works in Portugal since 2013.

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