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Painting, Acrylic on Fabric
Size: 20.2 W x 12 H x 0.7 D in
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'Tribute to Hélio Oiticica’s Grand Nucleus', acrylic on pre-printed fabric, oval painting 20.2 W x 12 H x 0.7 D inches (51 W x 30 H x 02 D cm). Following on from Vibrant Reds After Bolotowsky, Through the Forbidden City and Movement in Monochrome, Tribute to Hélio Oiticica’s Grand Nucleus brought a horizontal aspect to the previous three vertical oval paintings. Here orange rectangles are dispersed across the ‘Little Trees’ fabric which is this time in yellow and white instead of black and white, as it was in Movement in Monochrome. I was pleased with how Movement in Monochrome worked out, so this is an alternative version in a different colour. I liked this composition; it has a nice variety and balance of positive (the orange rectangles) and negative (the fabric) elements. I have used this design in several further paintings. Hélio Oiticica’s (1937-80), Grand Nucleus (1960) is an artwork I admired for many years. It consists of many orange rectangle and square panels/monochrome paintings which hang at various hights from the ceiling, horizontally and vertically and perpendicular to each other. Its about as far as a painting can be taken physically before it is totally an installation or sculpture. Tribute to Hélio Oiticica’s Grand Nucleus brought to memory my fondness for Oiticica’s work.
2020
Acrylic on Fabric
One-of-a-kind Artwork
20.2 W x 12 H x 0.7 D in
Not Framed
Yes
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Ireland.
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Ireland
Born and now living in County Cork Ireland. Originally graduating in fine art from the Crawford School of Art Cork in 1981, my work instinctively reflected the art ideas of the time represented by movements such as firstly The Pictures Generation and then Neo-Geometric Conceptualism. Today I see my work grounded in concepts originating in these movements. Neo-Geo artists created artworks that were influenced by the style of earlier developments in twentieth century art –such as Minimalism, Pop Art, and Hardedge Abstraction. Grace Glueck, one of the key documenters of the movement, notes “The painters among the Neo-Geo movement consciously recycled geometric motifs of the 1960's and 70's in their canvases, but put them to new use, regarding their geometry as referential rather than abstract.” My paintings explore formalist abstraction through a post-pop/post-modern lens. On the one hand they seek universal truths, each painting is a manifestation of what is… a specimen of existence. On the other hand, from a pop art sensibility the paintings explore the topographic nuances of consumer culture, the vagaries of taste in the use of found fabrics from domestic interiors and the rotations of fashion and obsolescence. The oval format I use underlines the physicality of my paintings, which rely on a subtle rather than an impasto form of expression. It also references the quaintness of modernist abstraction; the utopian belief in new promises and shapes of the future, a future that certainly cannot be taken for granted any more.
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