"Tte Lavra" Painting
Painting, Oil on Canvas
35.4 W x 51.2 H in
Temporarily Unavailable
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"The Lavra" (1994),51,18x35,43 х 1,06. Oil on canvas. Kiev Pechersk Lavra favorite place in Kiev. Since childhood, I've been working here in the open air. The painting itself was drawn from memory. On the walls Cathedral was painted ornament. The created image is fabulous and at the same time synth...
Year Created:
1994
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
35.4 W x 51.2 H x 1.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Outdoor Safe:
No
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Free returns within 14 days of delivery. Visit our help section for more information.
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Ivanna Pavelchuk
Ukraine
Iva Pavelchuk (born 16 May 1968 in Kyiv, Ukraine), is a painter working in the modern contemporary Ukrainian School of painting. The basic elements of Pavelchuk’s works are the abstract color. The freshness of his impressions is conveyed through the range of colors presented in her works. Collections of works: National Museum of T. Shevchenko; National Museum of Russian Art, Kyiv, Ukraine; Ivan Honchar Museum (National Centre of Folk Culture); Eastern Kazakhstan regional museum of fine arts named after Nevzorov's family. Works are purchased by the municipal collections of: Funds of Ukraine Artists Association; Fund "Feniks" in Paris; Ukrainian Art Galleries Association; Works are purchased by the commercial institutions: "Moskovskaya Palitra" Association in Russia, The Auction house «The Golden Section»; The Restaurant Group " Our map "; von Trott zu Solz Lammek Rechtsanwälte Notar - Berlin and private collections. Publications: - solo catalogs: “Neo-secessive representational art (1986-1995)”, “Genesis of Colour”(1995-200) - more then 70 professional reviews in various periodical publications - reviews in “Ukrainian History of Art” Vol. 5, p. 537, 553 .
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