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Twin Soul Painting

Lydia Lee

South Korea

Painting, Oil on Canvas

Size: 54.3 W x 48 H x 1.2 D in

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link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

The two spirits refer directly to objects and shadows. Serious observation of these two makes me feel better. Because the power to imagine outside of reality works. I think this painting will make your imagination work in relation to color and brush strokes. It is to make the painting come out of the painting and directly move the senses like music. I first start the relationship between color and color from movement, create a fun mess, and gradually create a total order. I think of this process as a human activity in the relationship around me and the world. This picture is very dense and the color purity is high, so it is vivid.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:54.3 W x 48 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

" There is only one thing that is true. I draw what I see at once. " I am a visual artist born in 1979 and based in Seoul. I am strongly obsessed with mathematical allegories that are closely linked to color and memory images. The intention is to directly touch the viewer's emotions through visualization influenced by musical composition techniques. I express in my paintings the indescribable subtleties of feelings of sadness, joy and pain. It simply presents a structure that excludes the story. The paintings I am influenced by and like are Matisse, Bonnard, and Manet. Research on the decorativeness and curves of arabesque patterns and modern dance choreography From the constant questions about freedom and existence, which are the essence of human beings, Dostoevsky's Memoirs from Underground, Crime and Punishment, and because I like humor about nihilism,Samuel Beckett , and Marcel Proust's image memory method, these are all processes of my work. Since 2002, I have been studying techniques and improving my technique using only oil paintings, and in Korea, my brushstrokes are mentioned as being connected to oriental handwriting. From a young age, I was good at calligraphy, drew a lot of oriental paintings, and was poetically developed. I would like to say that the process of completing my paintings is a continuation of the process, and I believe that the rest should follow from the act of seeing. I hope it continues to be read as a new version in their eyes.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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