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UN-STABLE (SLIDING)
UN-STABLE (SLIDING)
UN-STABLE (SLIDING)

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UN-STABLE (SLIDING) Painting

Irmin Damm

Germany

Painting, Acrylic on Wood

Size: 9.4 W x 9.4 H x 0.8 D in

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$220

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ABOUT THE ARTWORK

From a series of single and multi-part paintings on chipboard. The crude material is chosen deliberately. The edges should not be covered by a frame. Spots and blemishes in the painted surface are not corrected. The creation process was playful. I used masking tape amusing myself creating a feeling of movement. I played with my acrylics and let my hand and arm move the paint roller in longer or short strokes, in thinner and thicker layers. It was fun to take off all the tape at the end of the work process and discover a painting that had not been premeditated. At least not for the visual impression of it.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Wood

Original:

One-of-a-kind Artwork

Size:

9.4 W x 9.4 H x 0.8 D in

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Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Irmin Maria Damm *1959 in Boppard, Germany lives and works in Neustadt an der Weinstraße, Germany after many years in the European capital of Brussels, Belgium. Active in a vibrant local and national art scene, photography and drawing have been predominant in Irmin's more recent art activity. A closer look reveals the inherent link with her paintings. Work groups show her broad and conceptual approach. „NorwayColourX“ combines landscape photography with ink pen drawings and digitally manipulated photos in a classical triptych form. The drawings are abstract, capture impressions of light and colour. The lines reveal the gesture of the hand. They are painterly worked in countless layers of pigment based inks on photo paper. „BLACKBOARD“ paintings recall school boards but transform mathematical curves in decorative and floral gestures. Irmin prepares the acrylic paint using materials as chalk and charcoal. The object character of „UN-STABLE“, a colourful series of small scale paintings, allows to play with the multiple or single piece works. They may but do not need to be hang on a wall. “LABOR” comprises installations and sculptural work which have been shown in solo shows in Essen, Duisburg and Basel. The variations of FOLDER objects originally were part of these environments.

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