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Please note: this sale includes the hand-painted vanity table, plus any two of the large-format photographs from the VANITAS series. Each photograph is also available to purchase seperately - please do take a look at the full VANITAS series, listed under Collections > Ugly Nature: Vanitas. UGLY NATURE: VANITAS portrays an existential view of nature and the beauty that is present in the natural process of decay. VANITAS is a recognition that the transience of life forms an integral part of the world around us and ultimately provides us with the undeniable triumph of death. The concept is born of the Baroque artists who sought beauty in ugliness and reflected their findings through pieces of elegance and refinement. The artists depicted this opulence alongside the transience of earthly life and their fascination with death through moralistic symbolism. Olowska uses this same symbolism to persuade acceptance and to find beauty throughout life's journey. Olowska chose to present her work on a furniture which represents our fascination with appearance and, quite often, our desire to change it. Once sat at the vanity table however, the visitor's reflection integrates itself into the composition as a reminder to seek out the natural beauty in the passage of time. The table's surface describes the transience of life through blooming and withering flowers, while insects symbolise life's brief passage. The large photographs invite close inspection of the texture, structure and rich colours of the decaying matter and their inherent allure. UGLY NATURE: VANITAS is a collection of works, comprising: - 6 Large Format photographs - Vanity Table with mirror, hand painted in oils
Please note: this sale includes the hand-painted vanity table, plus any two of the large-format photographs from the VANITAS series. Each photograph is also available to purchase seperately - please do take a look at the full VANITAS series, listed under Collections > Ugly Nature: Vanitas. UGLY NATURE: VANITAS portrays an existential view of nature and the beauty that is present in the natural process of decay. VANITAS is a recognition that the transience of life forms an integral part of the world around us and ultimately provides us with the undeniable triumph of death. The concept is born of the Baroque artists who sought beauty in ugliness and reflected their findings through pieces of elegance and refinement. The artists depicted this opulence alongside the transience of earthly life and their fascination with death through moralistic symbolism. Olowska uses this same symbolism to persuade acceptance and to find beauty throughout life's journey. Olowska chose to present her work on a furniture which represents our fascination with appearance and, quite often, our desire to change it. Once sat at the vanity table however, the visitor's reflection integrates itself into the composition as a reminder to seek out the natural beauty in the passage of time. The table's surface describes the transience of life through blooming and withering flowers, while insects symbolise life's brief passage. The large photographs invite close inspection of the texture, structure and rich colours of the decaying matter and their inherent allure. UGLY NATURE: VANITAS is a collection of works, comprising: - 6 Large Format photographs - Vanity Table with mirror, hand painted in oils
Please note: this sale includes the hand-painted vanity table, plus any two of the large-format photographs from the VANITAS series. Each photograph is also available to purchase seperately - please do take a look at the full VANITAS series, listed under Collections > Ugly Nature: Vanitas. UGLY NATURE: VANITAS portrays an existential view of nature and the beauty that is present in the natural process of decay. VANITAS is a recognition that the transience of life forms an integral part of the world around us and ultimately provides us with the undeniable triumph of death. The concept is born of the Baroque artists who sought beauty in ugliness and reflected their findings through pieces of elegance and refinement. The artists depicted this opulence alongside the transience of earthly life and their fascination with death through moralistic symbolism. Olowska uses this same symbolism to persuade acceptance and to find beauty throughout life's journey. Olowska chose to present her work on a furniture which represents our fascination with appearance and, quite often, our desire to change it. Once sat at the vanity table however, the visitor's reflection integrates itself into the composition as a reminder to seek out the natural beauty in the passage of time. The table's surface describes the transience of life through blooming and withering flowers, while insects symbolise life's brief passage. The large photographs invite close inspection of the texture, structure and rich colours of the decaying matter and their inherent allure. UGLY NATURE: VANITAS is a collection of works, comprising: - 6 Large Format photographs - Vanity Table with mirror, hand painted in oils
Please note: this sale includes the hand-painted vanity table, plus any two of the large-format photographs from the VANITAS series. Each photograph is also available to purchase seperately - please do take a look at the full VANITAS series, listed under Collections > Ugly Nature: Vanitas. UGLY NATURE: VANITAS portrays an existential view of nature and the beauty that is present in the natural process of decay. VANITAS is a recognition that the transience of life forms an integral part of the world around us and ultimately provides us with the undeniable triumph of death. The concept is born of the Baroque artists who sought beauty in ugliness and reflected their findings through pieces of elegance and refinement. The artists depicted this opulence alongside the transience of earthly life and their fascination with death through moralistic symbolism. Olowska uses this same symbolism to persuade acceptance and to find beauty throughout life's journey. Olowska chose to present her work on a furniture which represents our fascination with appearance and, quite often, our desire to change it. Once sat at the vanity table however, the visitor's reflection integrates itself into the composition as a reminder to seek out the natural beauty in the passage of time. The table's surface describes the transience of life through blooming and withering flowers, while insects symbolise life's brief passage. The large photographs invite close inspection of the texture, structure and rich colours of the decaying matter and their inherent allure. UGLY NATURE: VANITAS is a collection of works, comprising: - 6 Large Format photographs - Vanity Table with mirror, hand painted in oils
Please note: this sale includes the hand-painted vanity table, plus any two of the large-format photographs from the VANITAS series. Each photograph is also available to purchase seperately - please do take a look at the full VANITAS series, listed under Collections > Ugly Nature: Vanitas. UGLY NATURE: VANITAS portrays an existential view of nature and the beauty that is present in the natural process of decay. VANITAS is a recognition that the transience of life forms an integral part of the world around us and ultimately provides us with the undeniable triumph of death. The concept is born of the Baroque artists who sought beauty in ugliness and reflected their findings through pieces of elegance and refinement. The artists depicted this opulence alongside the transience of earthly life and their fascination with death through moralistic symbolism. Olowska uses this same symbolism to persuade acceptance and to find beauty throughout life's journey. Olowska chose to present her work on a furniture which represents our fascination with appearance and, quite often, our desire to change it. Once sat at the vanity table however, the visitor's reflection integrates itself into the composition as a reminder to seek out the natural beauty in the passage of time. The table's surface describes the transience of life through blooming and withering flowers, while insects symbolise life's brief passage. The large photographs invite close inspection of the texture, structure and rich colours of the decaying matter and their inherent allure. UGLY NATURE: VANITAS is a collection of works, comprising: - 6 Large Format photographs - Vanity Table with mirror, hand painted in oils

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View In My Room

Ugly Nature: Vanitas Painting

Zuzanna Hope née Olowska

Portugal

Painting, Oil on Glass

Size: 59.5 W x 49 H x 23 D in

Ships in a Crate

SOLD
Originally listed for $10,710

541 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Please note: this sale includes the hand-painted vanity table, plus any two of the large-format photographs from the VANITAS series. Each photograph is also available to purchase seperately - please do take a look at the full VANITAS series, listed under Collections > Ugly Nature: Vanitas. UGLY NAT...

Year Created:

2016

Subject:

Floral

Styles:

Photorealism

, 

Fine Art

, 

Modern

, 

Conceptual

 

Mediums:

Oil

, 

Paint

, 

Wood

, 

Glass

, 

Metal

, 

Glass

, 

Steel

, 

Wood

, 

Other

 

Medium:

Multi-paneled Painting, Oil on Glass

Rarity:

One-of-a-kind Artwork

Size:

59.5 W x 49 H x 23 D in

Number of Panels:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.

Zuzanna Hope (née Olowska) was born in Gdansk, Poland, 1983, into an intensely artistic family. She studied art and interior design at the Academy of Fine Arts in Gdansk, Poland (2007 - 2011). ​ Zuzanna works mainly with traditional oil painting or drawing, but also photography and design, for clients and galleries in Portugal, Poland, England, United Arab Emirates, Spain, and USA. ​ She worked as a mural painter, interior and graphic designer and an art consultant in Shoreditch, London (2012 - 2015) before establishing an alternative art gallery called Division Zero in Porto, where she exhibited her works and curated other artists (2016 - 2018). ​ Working alongside the Faculdade de Belas Artes at the University of Porto, Zuzanna hosted an art retreat based around her farm near Amarante, with a final exhibition at Lugar de Desenho, Fundação Júlio Resende, Porto (2018). ​ At 28th of May 2022, Zuzanna Hope open the MUSO Art Gallery in Amarante with focus on promoting an international artists, whose works cover a variety of mediums. Gallery also intends to create bridges between the different forms of arts: visual, poetry, music, among others. In her gallery Zuzanna is curating and organising regular group exhibitions and music concerts. ​ As a curator of the MUSO Art Gallery in Amarante, Zuzanna Hope, with support from Amadeo de Sousa-Cardoso Museum in Amarante and Faculdade de Belas Artes at the University of Porto, crated an international art competition MUSE, Homage to poet Teixeira de Pascoaes. With a final exhibition at the Amadeo de Sousa- Cardoso Museum and an exhibition catalogue with poems of Teixeria de Pascoaes translated for the first time to English lenguage (2022). ​ Recent exhibitions include: Solo exhibition at CCBombarda, Rua Miguel Bombarda for Inaugurações Simultâneas (April 2017) Live painting performance at CCBombarda for Inaugurações Simultâneas (May 2017) Group exhibition at Miguel Costa Cabral & Associados (May 2019) Group exhibition at Casa da Granja Museum, Amarante (December 2022) ​ Zuzanna continues to host oil painting and drawing workshops at MUSO Art Gallery in Amarante. ​ Zuzanna takes her inspiration from observing her surroundings, the simplicity of nature's rules, and humanity's place within them. She explores everything from brute realism, symbolism, through to memories from recurring dreams.

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