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United Way; canvas, oil; 2015; 27,5591 х 23,622 inches; 70 x 60 centimeters The series of paintings at the junction of abstraction and a stylized landscape. In my paintings, each tree has its own individual characteristics and its own character. In the pictures as if they were talking to or interact with each other. As if the picture is not the trees, and people who are immersed in a certain situation. They live their lives, solve their problems, talk, think, act. Embrace or repel each other. If we ignore the sense that I put into this series. I can say that the most interesting plastic problem when the product passes from abstraction to objectivity and vice versa. This perpetual motion, and each time with an unpredictable outcome. This series will not end ever, because abstract landscape an integral part of my work. Art work is sold in a roll. So it is much more convenient to deliver it to your city. And you can easily order a stretcher and a frame for it to your taste in your city. If you definitely need art work on a stretcher and with a frame, I can do this for you at an additional cost. Email me if you need so! The price is indicated with the maximum discount! While it can be bought for this price. I will transfer 10% of your purchase to Greenpeace. Because I'm worried about the future of the planet. I cannot adhere to environmental principles in everything, but I do what I can.
United Way; canvas, oil; 2015; 27,5591 х 23,622 inches; 70 x 60 centimeters The series of paintings at the junction of abstraction and a stylized landscape. In my paintings, each tree has its own individual characteristics and its own character. In the pictures as if they were talking to or interact with each other. As if the picture is not the trees, and people who are immersed in a certain situation. They live their lives, solve their problems, talk, think, act. Embrace or repel each other. If we ignore the sense that I put into this series. I can say that the most interesting plastic problem when the product passes from abstraction to objectivity and vice versa. This perpetual motion, and each time with an unpredictable outcome. This series will not end ever, because abstract landscape an integral part of my work. Art work is sold in a roll. So it is much more convenient to deliver it to your city. And you can easily order a stretcher and a frame for it to your taste in your city. If you definitely need art work on a stretcher and with a frame, I can do this for you at an additional cost. Email me if you need so! The price is indicated with the maximum discount! While it can be bought for this price. I will transfer 10% of your purchase to Greenpeace. Because I'm worried about the future of the planet. I cannot adhere to environmental principles in everything, but I do what I can.
United Way; canvas, oil; 2015; 27,5591 х 23,622 inches; 70 x 60 centimeters The series of paintings at the junction of abstraction and a stylized landscape. In my paintings, each tree has its own individual characteristics and its own character. In the pictures as if they were talking to or interact with each other. As if the picture is not the trees, and people who are immersed in a certain situation. They live their lives, solve their problems, talk, think, act. Embrace or repel each other. If we ignore the sense that I put into this series. I can say that the most interesting plastic problem when the product passes from abstraction to objectivity and vice versa. This perpetual motion, and each time with an unpredictable outcome. This series will not end ever, because abstract landscape an integral part of my work. Art work is sold in a roll. So it is much more convenient to deliver it to your city. And you can easily order a stretcher and a frame for it to your taste in your city. If you definitely need art work on a stretcher and with a frame, I can do this for you at an additional cost. Email me if you need so! The price is indicated with the maximum discount! While it can be bought for this price. I will transfer 10% of your purchase to Greenpeace. Because I'm worried about the future of the planet. I cannot adhere to environmental principles in everything, but I do what I can.
United Way; canvas, oil; 2015; 27,5591 х 23,622 inches; 70 x 60 centimeters The series of paintings at the junction of abstraction and a stylized landscape. In my paintings, each tree has its own individual characteristics and its own character. In the pictures as if they were talking to or interact with each other. As if the picture is not the trees, and people who are immersed in a certain situation. They live their lives, solve their problems, talk, think, act. Embrace or repel each other. If we ignore the sense that I put into this series. I can say that the most interesting plastic problem when the product passes from abstraction to objectivity and vice versa. This perpetual motion, and each time with an unpredictable outcome. This series will not end ever, because abstract landscape an integral part of my work. Art work is sold in a roll. So it is much more convenient to deliver it to your city. And you can easily order a stretcher and a frame for it to your taste in your city. If you definitely need art work on a stretcher and with a frame, I can do this for you at an additional cost. Email me if you need so! The price is indicated with the maximum discount! While it can be bought for this price. I will transfer 10% of your purchase to Greenpeace. Because I'm worried about the future of the planet. I cannot adhere to environmental principles in everything, but I do what I can.

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United Way Painting

Aleksandra Cherepanova

United States

Painting, Oil on Canvas

Size: 23.6 W x 27.6 H x 1.2 D in

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ABOUT THE ARTWORK

United Way; canvas, oil; 2015; 27,5591 х 23,622 inches; 70 x 60 centimeters The series of paintings at the junction of abstraction and a stylized landscape. In my paintings, each tree has its own individual characteristics and its own character. In the pictures as if they were talking to or interact with each other. As if the picture is not the trees, and people who are immersed in a certain situation. They live their lives, solve their problems, talk, think, act. Embrace or repel each other. If we ignore the sense that I put into this series. I can say that the most interesting plastic problem when the product passes from abstraction to objectivity and vice versa. This perpetual motion, and each time with an unpredictable outcome. This series will not end ever, because abstract landscape an integral part of my work. Art work is sold in a roll. So it is much more convenient to deliver it to your city. And you can easily order a stretcher and a frame for it to your taste in your city. If you definitely need art work on a stretcher and with a frame, I can do this for you at an additional cost. Email me if you need so! The price is indicated with the maximum discount! While it can be bought for this price. I will transfer 10% of your purchase to Greenpeace. Because I'm worried about the future of the planet. I cannot adhere to environmental principles in everything, but I do what I can.

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Painting:

Oil on Canvas

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23.6 W x 27.6 H x 1.2 D in

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Artistic Statement I paint large scale contemporary pieces, up to three meters, that combine Expressionism and Abstract Expressionism. Also my artworks are land or seascapes and figurative art. The mix of styles creates is a dialogue between interior emotions and the outside environment. I like to think that all my art comes from a place of optimism and a celebration of life. I believe that the art and objects that we surround ourselves with can motivate people and infuse our lives with positive energy. I have always maintained, and tell my art students, that good art requires steady and constant effort and practice, so I make sure I paint every day. I am also constantly looking for ways to add new elements, stylistically and conceptually, to my work. Bio Aleksandra Cherepanova based in New York, but was born, grew up and was educated in Moscow, Russia. She earned her MFA in painting in 2007 from University Natalia Nesterova in Moscow and relocated to the US in 2020. Over the past decade Aleksandra had solo shows and participated extensively in group shows in NYC as well the US, Europe and Asia. Over this time, she has received Jury Prizes in many competitions as well as serving as judge for several exhibitions. Aleksandra’s work is also in museums and private collections around the world. Aleksandra now works mainly painting large scale abstract and semi-representational pieces. Additionally, she has an ongoing video series interviewing local NYC artists on YouTube. She also teaches art and painting privately and in several school districts in the NYC metro area.

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