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Unleashed Painting

Sebastien Waknine

Spain

Painting, Acrylic on Canvas

Size: 57.5 W x 55.1 H x 1.4 D in

Ships in a Box

SOLD
Originally listed for $2,600

719 Views

3

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

One of a series that aims to create the sensation of Urban street walls that have been attacked by random bombers, taggers, stickers and street Artists over time. In this piece, various Artists have unleashed... The barking dog, the lips, the bomb and the impossible cube. This piece is filled with w...

Year Created:

2015

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

57.5 W x 55.1 H x 1.4 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Sebastien Waknine absorbs heterogeneous elements that come from both ancestral cultures and graffiti pioneers, combining pictographs with totemic references, loans from esoteric imagery and winks at abstract expressionism or art brut. Witnessing what inspires the Artist throughout this iconographic collection, Waknine composes plastic universes where the apocalyptic and redeeming tone often coexist. On the very same pictorial surface we see scenes of birth and death, violence and salvation, Sanity and Insanity. There is a strong admiration and fascination with millenary cultures, African tribes to American Indians with their sacredness of masks and rituals. This the artist reinterprets through portraits of zoomorphic or human iconic figures, thus creating his own pantheon of gods, heroes and demons. The chromatic saturation and the deformation of the features impregnate those faces of hieratic crudity. They make up a gallery of teratological beings that arouse horror and tenderness simultaneously, inhabitants of an archaic age, of a posthuman future or of a world parallel to ours. Anna Adell

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