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Argentina
Painting, Acrylic on Canvas
Size: 59.1 W x 78.7 H x 0 D in
Ships in a Tube
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After "Visualidades" this group of minimalism paintings appears with a sense of space and deepness searching for a nude image with less colors and fragmentation. There are more transparencies and an intent for creating a suggestive tridimensional place inside the painting where the imagination of the watcher is the main character. Luego de Visualidades aparece una nueva serie, que se transmite con menos carga de material y con bordes difusos, con el objetivo de generar imágenes más pictóricas, con mayor profundidad y espacialidad, sugiriendo un aspecto tridimensional. La búsqueda se centra en un proceso más despojado, eliminando la saturación de color y forma que se encontraba presente en su serie anterior. El uso de una paleta más clara y ciertas transparencias parecen indicar también un viaje interno más claro y no tan susceptible de ser alterado. A modo de evolucionar, y tal como lo impone el trascurrir de la vida misma, Paula va a ir focalizando en los conceptos, realizando un zoom, buscando una representación más sugestiva, donde no todo sea tan explícito, sino donde la imaginación del espectador cobre protagonismo.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:59.1 W x 78.7 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Argentina.
Customs:Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.
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Argentina
I am interested in how we experiment movement nowadays due to the use of screens and mobile devices, which affects our perceptions of the reality. Most of the time, moving around depends more and more on the displacement of the eye from screen to screen than of our bodies from place to place. Do we choose where to stop our look or does it suffer from an erratic movement? I work on paintings that distort and deconstruct architectures rebuilding them into new spaces. I am interested in decoding the flows between real and virtual worlds where space and time seem to be dissociated.
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