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I wanted to use a single primary colour, in this case alizarin crimson, as a beginning point, and then diversify it very subtly with it's primary opposites over the canvas. This is the first in a short series which simply aims to to minimalist, abstract  and most importantly lift the mood of the viewer. Created using the finest materials, the finished work coated with a clear protective isolation layer, and then coated with 2 layers of anti UV satin finish acrylic varnish. Ready to hang. Comes with a signed, numbered certificate of authenticity.
I wanted to use a single primary colour, in this case alizarin crimson, as a beginning point, and then diversify it very subtly with it's primary opposites over the canvas. This is the first in a short series which simply aims to to minimalist, abstract  and most importantly lift the mood of the viewer. Created using the finest materials, the finished work coated with a clear protective isolation layer, and then coated with 2 layers of anti UV satin finish acrylic varnish. Ready to hang. Comes with a signed, numbered certificate of authenticity.
I wanted to use a single primary colour, in this case alizarin crimson, as a beginning point, and then diversify it very subtly with it's primary opposites over the canvas. This is the first in a short series which simply aims to to minimalist, abstract  and most importantly lift the mood of the viewer. Created using the finest materials, the finished work coated with a clear protective isolation layer, and then coated with 2 layers of anti UV satin finish acrylic varnish. Ready to hang. Comes with a signed, numbered certificate of authenticity.
I wanted to use a single primary colour, in this case alizarin crimson, as a beginning point, and then diversify it very subtly with it's primary opposites over the canvas. This is the first in a short series which simply aims to to minimalist, abstract  and most importantly lift the mood of the viewer. Created using the finest materials, the finished work coated with a clear protective isolation layer, and then coated with 2 layers of anti UV satin finish acrylic varnish. Ready to hang. Comes with a signed, numbered certificate of authenticity.
I wanted to use a single primary colour, in this case alizarin crimson, as a beginning point, and then diversify it very subtly with it's primary opposites over the canvas. This is the first in a short series which simply aims to to minimalist, abstract  and most importantly lift the mood of the viewer. Created using the finest materials, the finished work coated with a clear protective isolation layer, and then coated with 2 layers of anti UV satin finish acrylic varnish. Ready to hang. Comes with a signed, numbered certificate of authenticity.

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Untitled Crimson Painting

Paul Calcutt

United Kingdom

Painting, Acrylic on Canvas

Size: 16 W x 24 H x 0.8 D in

Ships in a Box

SOLD
Originally listed for $410

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I wanted to use a single primary colour, in this case alizarin crimson, as a beginning point, and then diversify it very subtly with it's primary opposites over the canvas. This is the first in a short series which simply aims to to minimalist, abstract and most importantly lift the mood of the vie...

Year Created:

2019

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

16 W x 24 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I have been working as a freelance ceramics and glass restorer since being professionally trained in the early 1990's. As such, i have carried out projects for The British Museum, The Metropolitan Museum of Art NYC, Glasgow Museums, The Conservation Centre, Salisbury and The National Palace Museum, Taiwan. I decided to re utilise my skills accumulated over several decades and apply them to canvas. My influences are many and varied from Pop Art to Surrealism, Abstract, Expressionism to Impressionism. I adore exploring and trying out new things with acrylic medium and find the process theraputic and very satisfying, I hope this is reflected in my work...

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