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My work explores the potential of painting materials through the invention and intervention of process. Design may initiate a painting, but the path taken remains flexible. This allows for the material to influence the making. Neither component takes precedence over the other. I manipulate, train and follow the materials to create the effect that I want while embracing their fluid nature and letting them behave naturally. Experimentation occurs on site through the making of the work, increasing the possibilities of chance accidents and slips in a process. These happy accidents introduce new potentials for the course of the painting’s making and propose unexpected complications to navigate.
 
The paintings begin with an idea – perhaps a cultural quotation expressed in colour or form – but the unpredictable behaviour of my materials is a catalyst for how the painting evolves as it diverges from an initial design. Drips, smears, glitches, cracks unapologetically permeate the surfaces of the paintings and expose the negotiation between my control and an insistent materiality. There is a dialogue between maker and material: I make a move, the material responds and the artist reacts. This call and response cycle is what realises the final image of the painting. Alongside process, the paintings amalgamate colour relationships, signs, symbols culled from material and visual cultures and varied genres while juxtaposing two and three-dimensional renderings to evoke a sense of uncanny familiarity that is difficult to define.
My work explores the potential of painting materials through the invention and intervention of process. Design may initiate a painting, but the path taken remains flexible. This allows for the material to influence the making. Neither component takes precedence over the other. I manipulate, train and follow the materials to create the effect that I want while embracing their fluid nature and letting them behave naturally. Experimentation occurs on site through the making of the work, increasing the possibilities of chance accidents and slips in a process. These happy accidents introduce new potentials for the course of the painting’s making and propose unexpected complications to navigate.
 
The paintings begin with an idea – perhaps a cultural quotation expressed in colour or form – but the unpredictable behaviour of my materials is a catalyst for how the painting evolves as it diverges from an initial design. Drips, smears, glitches, cracks unapologetically permeate the surfaces of the paintings and expose the negotiation between my control and an insistent materiality. There is a dialogue between maker and material: I make a move, the material responds and the artist reacts. This call and response cycle is what realises the final image of the painting. Alongside process, the paintings amalgamate colour relationships, signs, symbols culled from material and visual cultures and varied genres while juxtaposing two and three-dimensional renderings to evoke a sense of uncanny familiarity that is difficult to define.

119 Views

11

View In My Room

Untitled Painting

Vanya Horvath

United States

Painting, Acrylic on Canvas

Size: 60 W x 72 H x 1.3 D in

Ships in a Crate

SOLD
Originally listed for $3,020

119 Views

11

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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My work explores the potential of painting materials through the invention and intervention of process. Design may initiate a painting, but the path taken remains flexible. This allows for the material to influence the making. Neither component takes precedence over the other. I manipulate, train an...

Year Created:

2018

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

60 W x 72 H x 1.3 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

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Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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