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"Uomo sei cattivo, esci dal mio giardino / Man you're bad get out of my garden" Painting

Federica Belloli, Italy

Painting, Acrylic on Canvas

35.4 W x 35.4 H in

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$2,595

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ABOUT THE ARTWORK
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In my garden there is day and night and the flowers, large and fragrant, never wither. The little creatures that live there have wings and are cut out of paper. They look visitors in the eye and what they think is engraved in the sky. Man is not allowed. He would crush everything. Nature is my home...

Year Created:

2021

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

35.4 W x 35.4 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Federica Belloli

About the Artist

Federica Belloli

Italy

Imagination is not an escape, but the place where the invisible takes form. This is the space in which my painting is rooted. I am a figurative painter, and I work with the human figure as a threshold between the visible and the inner world. My early formative years in the atelier of the painter Rodolfo Guzzoni played a decisive role in directing my research toward portraiture, understood not as mere representation, but as a space in which inner states, memories, and emotional thresholds can emerge.

My work unfolds in a territory where realism coexists with a poetic and visionary dimension. I am interested in the gaze of childhood, not as a narrative subject, but as a perceptual quality: a space of purity, wonder, and imagination. My figures often appear in communion with their spirit animal, a symbolic presence referring to our instinctive, natural, and mysterious dimension — to what precedes us and moves through us.

Portraits thus become liminal surfaces: places where fragility, melancholy, and solitude surface, but also silence and suspension. Identity is never asserted; rather, it slowly dissolves into matter.

I favour acrylics for their immediacy and matte quality, which allow me to work through glazes and stratifications without light interfering with the perception of the image. After an early phase focused on black and white, almost whispered, I began to introduce colour sparingly, in broad, rarefied areas, to construct unreal, suspended atmospheres, in tension with the concreteness of the figurative subject.

Experimentation is an essential part of my process. New materials, hybrid techniques, and contrasts between different surfaces and densities become tools to constantly question and expand my language. I conceive painting as a transforming organism, a field of research evolving together with perception.

My works are held in private collections across Europe, America, Australia, and Asia.
I live and work in Milan.
I am represented by ONART Gallery, Florence.

Recognition:

  • Artist featured in a collection

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