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Value Generator #2 Painting

PHILIP HUNT

Portugal

Painting, Acrylic on Canvas

Size: 8.3 W x 5.9 H x 0.6 D in

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About The Artwork

This painting is a visual pun, poking fun at the institutions of art and the economy by exploiting the dual meanings of value. There is the abstract value of the economy and the values of colour in painting. I was loosely inspired by the traditional method of drawing a cartoon in brown umber and working the image up in grey values. The motif is a museum from Lisbon and it is painted in grey values. The colours over-layered in one stroke and impasto are pure but with added medium making them transparent. The value of the colour is created therefore from the under-layer, in this case a museum loosely depicted in greys. Museums conserve cultural artefacts yet at the same time, through holding collections of painter's works also conserve and even amplify their perceived economic value. The pun is in this double meaning of value generator. The image breaks down around the museum suggesting glitch and error.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:8.3 W x 5.9 H x 0.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am interested in exploring painting’s technical traditions to realise contemporary subjects. History, particularly the renaissance has always drawn a fascination, and being a British Emigrant and English teacher I have a passion for Shakespeare’s plays. Having been a web designer the visual culture of digital networks is an influence on my work. I am inspired by stylistic themes of glitching, pixelation, and error and attempt to infuse these in painting. Thinking about how painting functioned in history, and how other media do that work now, my motivation is to explore notions of power, identity and entropy. Through layering and experimentation, acrylic paint is pushed to simulate oil and create texture on the surface of the canvas. I am very much aware that a painting is not just an image on a screen but an object that gains its power by existing in the viewer’s temporal space. For me this is the unique power of painting, that a viewer can stand before an object and have a physical relationship to a fragment of the playground of the artist. PERSONAL HISTORY I studied fine art at the University of Central Lancashire. When I graduated the internet was just taking off. I pursued work in the digital sector and became a web-designer for some years. I then relocated to Lisbon for personal and professional reasons.

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