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Veil #04 "I am a silhouette and the veil of the past keeps me still in the dark." Painting

Megan Seres

Australia

Painting, Oil on Wood

Size: 12.5 W x 15.5 H x 0.5 D in

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SOLD
Originally listed for $1,360
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About The Artwork

This image is sourced from an old colonial photograph which I have used to make reference to the historical precedents that inform and empower our society today. Removed from its contrived surrounds, it has been placed in black dust symbolic of the magical intermediary between woman and the unseen forces of nature that govern her fate. The veil does not conceal the face but acts as a membrane enclosing the true nature and power of the feminine force yearning to be free. Through experimentation I hope to create new and disruptive art that inspires dialogue with a wide variety of audiences. I think it’s important to say that I make art with the hopes of giving myself and others a voice that speak of our experiences from our collective past that leave traces or threads that connect us to the present. Many of my paintings to date are inspired by a Gothic sensibility and are drawn from 17th to 19th century discourse and motifs found in art, poetry, texts, fashion and films. I like to make high quality objects with a nod to the masters that are luscious, seductive and precious but on closer inspection reveal cultural upheavals that I believe inspires creative thinking and perhaps a shift in perspectives.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:12.5 W x 15.5 H x 0.5 D in

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Megan Seres is a multi-award-winning artist with a BFA 1st C (Hons) National Art School, Sydney Australia. Solo shows include ‘Carriers of Light, 2021’, ‘Before the Ending, 2018 and ‘Fairy Tales, Myth and Imaginary Tales, 2016. She has been included in 28 group shows and has been a finalist in 25+ art prizes nationally. Her work is held in numerous private and public collections including Adderton House, QLD; Australian Standfirst, VIC; Moran Arts Foundation and Redlands, NSW. Commissions include 20+ artworks created for the TV series ‘Love My Way’ for Southern Star Pictures and 12 artworks for Adderton House. Additional projects have included portrait commissions, teaching workshops, mentoring, artist talks, art prize judging, inclusion in the consultation meeting of ‘Revising the Code of Practice’, National Association of the Arts Australia (NAVA), writing an ‘Artists Guide to Competitions’ for NAVA and 2 x editorial submissions for Art Almanac. Megan was approached by Harvard’s Professor Flossie S J Chua to contribute her work ‘Danger of a Single Story’ to the ‘Arts as Civic Commons’ Image Bank USA.

Artist Recognition

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