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"Version Control (P5)" Painting

Patrick Johnson, United States

Painting, Acrylic on Canvas

24 W x 30 H in

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This work will ship in a secure wooden crate. Read More

Shipping typically takes 5–7 business days

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Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic on canvas

Year Created:

2021

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

24 W x 30 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

I’ve always been drawn to a place between clarity and ambiguity. Between movement and stillness. In my work I try to explore a rich emotional, uncertain space and the depth of expression that can be found in simple, repeated actions. These paintings are small, personal spaces where the seemingly rudimentary becomes idiosyncratic and rhythmic—then breaks down into undefinable feeling. They works play with basic elements that are layered and reoriented until they begin to suggest meaning, but without resolution. Curves and straights loop, echo, and push against each other, forming systems that feel both familiar and unpredictable. Color is used not to describe, but to move: to slow the eye, to redirect attention, to create pauses and pulses across the surface. An unyielding geometry is teased, then undermined by shifts of scale and overlapping, quivering edges that won’t adhere to any grid. The paintings gesture toward the iterative logics of nature, architecture, or language, but ultimately fail to settle into any system. In the end, that failure points to an unfolding in the uniquely personal act of seeing. The paintings’ refusal to clarify themselves finally becomes a hopeful request to look at just what is here, with an open eye. Asking for reflection, not interpretation, they invite questions, curiosity, and a willingness to not know.

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Siting Wang, Associate Curator