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"Vilvet fruits" Painting

Feruza Alieva, Uzbekistan

Painting, Acrylic on Soft (Yarn, Cotton, Fabric)

29.1 W x 18.9 H in

Framed

This artwork is not for sale.

ABOUT THE ARTWORK

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The painting is made on antique silk, in the technique of painting with the effect of cracks. This is a rare technique used in paintings very rarely. Still life with an ornament of oriental symbols, the main fruit in the still life is quince. It is a symbol of fertility and chastity. Through the in...

Year Created:

2020

Subject:

Mediums:

Painting, Acrylic on Soft (Yarn, Cotton, Fabric)

Rarity:

One-of-a-kind Artwork

Size:

29.1 W x 18.9 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Uzbekistan.

Need more information?

Contact us.

Need more information?

Contact us.
Feruza Alieva

About the Artist

Feruza Alieva

Uzbekistan

In childhood, there was no example of an artist in the family, artistic activity was considered in the family of my consanguinity - a useless occupation and not a serious profession. But the craving for drawing was from the age of 5. I remember myself sketching everything, all my school notebooks were drawn and I carried notebooks and a pencil with me all the time. At the age of 14, I told my parents that I would be an artist, everyone tried to stop me and choose another profession. But still they could not convince me, and the desire to draw gained support from my parents. I began to study academic drawing for university admission. After studying, I tried to write on silk and this was love from the first drop of paint. During the trial period of painting on silk, there were no paints or reserve compositions, so I had to try different options and cook the paint itself and the base, thanks to this experience, now I am the best specialist in my field in Uzbekistan, a specialist who uses new methods and techniques.

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