"Visual Fable on James Joyce's Finnegans Wake" Painting
Painting, Oil on Canvas
25.6 W x 33.1 H in
Framed
This artwork is not for sale.
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Icon-o-graphing in Visual fable James Joyce' novel "Finnegans Wake" comes to share passion extracted from the core of the Joycecentric universe and explore the Wake as experience of the eye on the mind ear. In visualizing Joyce' MeanderTale FW, my artistic attempt is to ‘translate’ his portmanteau ...
Year Created:
2014
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
25.6 W x 33.1 H x 1.2 D in
Ready to Hang:
Not Applicable
Frame:
Gold
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Bulgaria.
Customs:
Shipments from Bulgaria may experience delays due to country's regulations for exporting valuable artworks.
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Visual Artist, Philosopher and Lawyer.
"Our eyes demand their turn" (FW 52)
- James Joyce, Finnegans Wake
The source of my artistic influence is literature and philosophy discourse. My present Project is Topological notion of Metalepsis in and through Visual Art Research and Art Work: Topologically Speaking, Seeing, Thinking, Drawing, and deals with topological philosophy in visual narrative.
Drawing is like semiotic reading. According to the social semiotic theory of representation, the grammar of visual design is like the linguistic structures, visual structures point to particular interpretations of experience and forms of social interaction. Color is a semiotic resource. The text is not exclusively black and white anymore or situated in linearly configured blocks. The colors, shapes, sizes, fonts, and positions of letters and words on Web sites, environmental signs, magazines, and textbooks reflect our changing society, creating images that did not exist 20 years ago. Computers and other technology have changed our concepts of time and space, and they have altered the way that we participate in many activities. With the increased amount of visual information, semiotics researchers have emphasized that communication is multimodal; people are reading not only written words, but also images.
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