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"WHITEY" Painting

Herman Normoid, Italy

Painting, Acrylic on Wood

27.6 W x 19.7 H in

Ships in a Box

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This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Like on a public wall I use my hand to scratch it being myself and handreds of different people. The result is a very deep and confuse surface where many characters come up to stimulate the observer's focus and interest. My graffiti try to imitate the ancestral paintings in the caves, where prehisto...

Year Created:

2015

Subject:
Mediums:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 19.7 H x 0.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Herman Normoid

About the Artist

Herman Normoid

Italy

Herman Normoid

I was born in 1966. I live and work in Rome, Sicily and Buenos Aires.
I studied in the field of conservation of cultural heritage and collaborated with UNESCO.

I place the Human Being at the centre of the artistic universe and I founded a philosophical movement known as “Volumism”. Despite recognizing a propositional value to the artist, I deny his having the leading role in the artistic process, ascribing it instead to the spectator.

My artistic inclination brought me to develop a marked interest for “Action Painting” and for the use of pure pigments mixed with synthetic binders to form dense and thick colors, but the last years I worked on graffiti on board, derived from the classical graffiti technique used in the façades of the 15th Century buildings in Rome and Florence, and some of them were used for my latest exhibition (MATEMA(N)TICA. La scienza si divulga anche così) aimed at disseminating 21st century physics.
My aim is to achieve a simplicity in the art that allows my art to reach as many people as possible, avoiding an elitist art.
The graffiti have a primordial aspect that I have deliberately left to signify a continuity of the expressive means from ancient man to man of the future: the mind and the hand, the imagination do not change over time, but the results layering themselves make the history of art.

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