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Painting, Acrylic on Canvas
Size: 19.7 W x 27.6 H x 0.8 D in
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I like the purple color of the wisteria, the fresh green of its leaves. I also like its perfurme. Its flourishing generosity and sweet scent have been celebrated by poets (since its arrival in Europe from China and Japan (at the end of the 19th century). I wanted to suggest in an evanescent way the beauty and the fragrance of a flower known for its durability, its force of incrustation, by extension its demanding fidelity. European poetry has made it a romantic symbol of sweet love. Acrylic with paint brushes. Linen canvas stretched on wooden frame with spacer.
2024
Acrylic on Canvas
One-of-a-kind Artwork
19.7 W x 27.6 H x 0.8 D in
Not Framed
Yes
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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French Woman) For me Abstract painting is emotion in colors. forms, energies, arise for a plural look I liked art very early, I started with drawing and painting (freehand reproductions). My motivation was always need to create. I realized it by writing and especially by self-taught painting. I secretly nurtured a vocation of artistic expression that grew in power. I visited galleries and museums in France and abroad, I followed artistic learning (university drawing course: figurative). Visits to the workshops of contemporary painters who kindly welcomed me, were the definitive trigger in years 2000 of a more intense practice. My taste for aesthetics, colors, textures and free expression of deep emotions naturally led me to contemporary on the margins of my professional activities. I took online acrylic painting courses. Here are some of my paintings. I use acrylic for its fluidity. I work mainly with brushes, brushes, sterilizers, sometimes in mixed technology with knives, spatulas, sponges, hands, sprays, pouring. I try to combine spontaneity and pictorial structure. My starting point can be intuition, impression, nsight (an inner vision), colour, line, shape… I like surprises and plastic incidents. I often play with effects of reliefs, movements, drops, dissonances, contrasts, irruptions, unfinished.
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