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"Watchful Eye" Painting

Elizabeth Allen, United States

Painting, Acrylic on Wood

12 W x 12 H in

Framed, Ready to Hang

$397

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is a framed original 12” x 12” acrylic painting on birch wood panel. This mesmerizing artwork presents an abstract background of colors and shapes upon which a lone cowbird perches. His watchful eye oversees a landscape of circles, hoof prints of cattle, and loose barbed wire, which are playful...

Year Created:

2025

Subject:
Mediums:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

12 W x 12 H x 0.2 D in

Ready to Hang:

Yes

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

I paint because I just don't know how not to. Art has been part of my life as far back as I can remember — ceramics classes as a kid, hours lost in coloring books and paint-by-numbers, and a high school drawing of a marina sailboat that made me think for the first time: maybe I could actually be an artist. Life took me down other roads first. I grew up in Slidell, Louisiana, earned a Ph.D. in psychology from Texas A&M, and built a career in educational and psychological testing that I've loved for thirty years. But the pull to create never went away. It just waited. Today I paint from two studios — one in Austin, Texas, and one newly opened at my home in Santa Fe, New Mexico. The Austin studio is a guest bedroom with a big window and good light, where I burn incense to get started and routinely forget to drink my coffee. Most mornings I look up and two hours have gone by. That's how I know it's working. Santa Fe is a newer chapter — and I can't wait to see what happens when I start painting those mountains and high desert landscapes I love so much. My subjects are birds and landscapes — the wild, beautiful, fragile things. The birds started showing up as small highlights in my landscape paintings before I even noticed. Once I did, I couldn't stop. I've kept birds as pets and known them up close, and that intimacy comes through, I think. I paint them not as specimens but as presences — creatures with color and mood and a way of holding themselves that deserves to be looked at. People tell me my paintings make them happy. That's the whole point. I want someone to walk past one of my pieces every single day and feel something good. I can't imagine a higher compliment. I'm a member of the American Bird Conservancy and the Audubon Society, and I contribute to conservation efforts regularly — because if we lose the wild places, we lose the things worth painting. We only get one planet. Thanks for being here. Beth

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