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Painting, Acrylic on Canvas
Size: 51.2 W x 63 H x 0.8 D in
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I chose abstraction as a starting point in my art improvisations at the same time requires organisation and a sense of balance. My works are not complete abstractions, in them there is a desire for a connection with classical figurative painting, as a kind of continuity and a source of ideas. Through the images, I bring some quotes from different stages in art and bring them into the context of today. I'm interested in drawing parallels between the past and the present. When I paint, I like to immerse myself in the initial, unpredictable color chaos without prior preparations and a plan of action. I find that in the chaos, color is at its purest. This is the state that never bores me, on the contrary, it provokes and surprises me, and in it, I find the constructive thread that leads me in the further development of the work. In the chaos, the imagination seems to work at higher speeds and creates a territory in which intuition, memory, experience and feelings appear simultaneously. In this newly created space, images, fluids, inexplicable things, such as I see in life and such as they are in dreams and fantasies (dreams), are mixed. With each subsequent painting, my colors become brighter and warmer, perhaps as a subconscious reaction to confront the negatives of our modern times, or escape, calm and solitude among the magma of intense tones.
Acrylic on Canvas
One-of-a-kind Artwork
51.2 W x 63 H x 0.8 D in
Not Framed
No
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Bulgaria.
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freelance artist, Larisa Ilieva lives and works in Paris, France and Sofia, Bulgaria. « I like to travel in the history of art, to inspire and enrich my artistic research. Using the same language composed by previous artists, I want to develop it and release my creation against the clichés established. The mixture of images already existing in art with contemporary sensibility is the basis on which I try to build my own territory in art. Realizing a game of different aesthetic vibrations, my conception opens to new overlays and bridges between real and abstract, decorative and picturesque. I prefer details and fragments that I make with oriental precision. At the beginning of my work my compositions emerge from the chaos of untreated pure colors, which then give birth to a harmony of new nuances and forms that are organized in unity. The black line is a very important thing in my works, because it has the function of reinforcing the intensity of the painting, which begins to shine like on the stained glass window. When I paint, I always fall into a kind of contemplation of my world of fairy creatures and sacraments. The themes of love, harmony, beauty, eternity remain close to my nature. I prefer to work with acrylic because it is very well combined with most techniques such as collage, oil, watercolor, ink, pastel. I like working with these techniques quite varied, because they are complementary and affect my sensitivity. At the moment, I am happy to use the combination of acrylic and Indian ink. This allows me to obtain in my works a different structure of the surface. Some areas seem hyperactive, others vibrate according to the light, while others overflow. »
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